Spenser, Milton, and Renaissance PastoralExamination of Spenser's and Milton's use of the pastoral as a vehicle for the imagination's dramatization of itself. |
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Página 60
[ 113-114 ] His final abandonment of his pipe signals his final discouragement with the power of his song to melt Rosalind's icy heart . As he bids the world adieu , he clings to the belief that he has failed as a poet because he has ...
[ 113-114 ] His final abandonment of his pipe signals his final discouragement with the power of his song to melt Rosalind's icy heart . As he bids the world adieu , he clings to the belief that he has failed as a poet because he has ...
Página 107
The “ wanton " ( 141 ) luxuriance of these final lines accords , of course , with the pervasively pagan quality of L'Allegro as a whole . But , additionally , this final section accentuates the shallowness inherent in L'Allegro's values ...
The “ wanton " ( 141 ) luxuriance of these final lines accords , of course , with the pervasively pagan quality of L'Allegro as a whole . But , additionally , this final section accentuates the shallowness inherent in L'Allegro's values ...
Página 112
41 With the dawn comes the final section of the poem ( 121-74 ) , considerably longer than the corresponding section in its companion . In L'Allegro the final lines were concerned with the effect of “ soft Lydian airs ” ( 136 ) on the ...
41 With the dawn comes the final section of the poem ( 121-74 ) , considerably longer than the corresponding section in its companion . In L'Allegro the final lines were concerned with the effect of “ soft Lydian airs ” ( 136 ) on the ...
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Contenido
Acknowledgments | 9 |
Spenser Milton and the Pastoral Tradition | 19 |
The Shepheardes Calender and Colin Clouts | 45 |
Derechos de autor | |
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Términos y frases comunes
achieve adonean allows attempt beauty begins Calender Calidore Calidore's Colin Clout conclusion continues conventions course courtesy critical dead death divine earlier early Eclogue effect elegist English example experience expression eyes fact fallen figure final flower follow forces Graces grief hand harmony heaven heavenly hero human hymn imagination important John lament landscape later lead light lines literary lives lover Lycidas means mind mode moral movement Muse narrative nature never notes observations once opening Orpheus orphic pastoral elegy pattern Penseroso perhaps poem poem's poet poet's poetic poetry praise present proem provides Queene reader Renaissance response ritual role seems sense share shepherd similar skill song speaker Spenser and Milton spirit stanza suggests takes tion tradition understanding University Press verse Virgil's virtue vision voice youth
Referencias a este libro
The Pipes of Pan: Intertextuality and Literary Filiation in the Pastoral ... Thomas K. Hubbard Vista previa limitada - 1998 |
Sidney's Poetic Justice: The Old Arcadia, Its Eclogues, and Renaissance ... Robert E. Stillman,Robert Stillman, M.D. Vista previa limitada - 1986 |