Spenser, Milton, and Renaissance PastoralBucknell University Press, 1981 - 224 páginas Examination of Spenser's and Milton's use of the pastoral as a vehicle for the imagination's dramatization of itself. |
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Página 13
... mode the complexity and conflicts of the poetic activity and ponder its value . The correspondences between Spenser and Milton to be discussed in this study in- dicate how both poets employ pastoral , often in quite dif- ferent and ...
... mode the complexity and conflicts of the poetic activity and ponder its value . The correspondences between Spenser and Milton to be discussed in this study in- dicate how both poets employ pastoral , often in quite dif- ferent and ...
Página 76
... mode itself is rather an > outlook than a strict genre . With the important exception of Lycidas , he wrote no unequivocally English pastoral that demands attention primarily under the auspices and conven- tions of the " kind , " and it ...
... mode itself is rather an > outlook than a strict genre . With the important exception of Lycidas , he wrote no unequivocally English pastoral that demands attention primarily under the auspices and conven- tions of the " kind , " and it ...
Página 81
... mode and pastoral as a representation of natura naturata are united in Milton's canon by virtue of their common inadequacy . Whether as an emblem of fallen life or as a literary form , pastoral can be valued only as a pro- mise of a ...
... mode and pastoral as a representation of natura naturata are united in Milton's canon by virtue of their common inadequacy . Whether as an emblem of fallen life or as a literary form , pastoral can be valued only as a pro- mise of a ...
Contenido
Acknowledgments 939 | 7 |
Spenser Milton and the Pastoral Tradition | 19 |
The Shepheardes Calender and Colin Clouts | 45 |
Derechos de autor | |
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Términos y frases comunes
achieve Acidale adonean elegy Adonis Astrophel beauty Bion Calidore Calidore's Colin Clout conclusion conventions courtesy courtly critical Daphnis Daphnis's dead death Dido divine earlier Eclogue Edmund Spenser elegist Eliza emblem embody emotional epic Epitaphium example Faerie Queene fallen final flower Gallus Genius genre Graces grief harmony Harvard University Press heaven heavenly hero human hymn Il Penseroso imagination Januarye John Milton L'Allegro lament landscape light literary London loue lover Lycidas Lycidas's means metaphor Milton's pastorals mode Mopsus moral Muse narrative nature neoplatonic Orpheus orphic orphic elegy pagan Paradise pastoral elegy pastoral poems pastoral world Pastorella pathetic fallacy pattern Penseroso pensive perspective PMLA poem's poet poet's poetry praise present Princeton proem provides reader Renaissance ritual role Rosalind sense Shepheardes Calender shepherd sing song speaker Spenser and Milton Spenserian spirit stanza suggests Theocritus Thyrsis's tion tradition verse Virgil's virtue vision voice youth