Spenser, Milton, and Renaissance PastoralExamination of Spenser's and Milton's use of the pastoral as a vehicle for the imagination's dramatization of itself. |
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Página 29
In the opening lines of “ Januarye ” the poet speaks to us as his social peers and with no small degree of amusement invites us to attend to the plaints of an endearing , albeit naïve shepherd minstrel . We are drawn into the peculiar ...
In the opening lines of “ Januarye ” the poet speaks to us as his social peers and with no small degree of amusement invites us to attend to the plaints of an endearing , albeit naïve shepherd minstrel . We are drawn into the peculiar ...
Página 150
From another , equally valid perspective , the elegist's opening lines balance our response to his personal grief by stimulating our recognition that his utterance resounds with the echoes of a literary mainstream that defies the ...
From another , equally valid perspective , the elegist's opening lines balance our response to his personal grief by stimulating our recognition that his utterance resounds with the echoes of a literary mainstream that defies the ...
Página 174
Often this awareness of the poem as a process takes the form of the poet's familiar allusions to his work as a journey , especially as a sea voyage.10 Perhaps the most interesting reference occurs in the opening stanza of canto 9 ...
Often this awareness of the poem as a process takes the form of the poet's familiar allusions to his work as a journey , especially as a sea voyage.10 Perhaps the most interesting reference occurs in the opening stanza of canto 9 ...
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Contenido
Acknowledgments | 9 |
Spenser Milton and the Pastoral Tradition | 19 |
The Shepheardes Calender and Colin Clouts | 45 |
Derechos de autor | |
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Términos y frases comunes
achieve adonean allows attempt beauty begins Calender Calidore Calidore's Colin Clout conclusion continues conventions course courtesy critical dead death divine earlier early Eclogue effect elegist English example experience expression eyes fact fallen figure final flower follow forces Graces grief hand harmony heaven heavenly hero human hymn imagination important John lament landscape later lead light lines literary lives lover Lycidas means mind mode moral movement Muse narrative nature never notes observations once opening Orpheus orphic pastoral elegy pattern Penseroso perhaps poem poem's poet poet's poetic poetry praise present proem provides Queene reader Renaissance response ritual role seems sense share shepherd similar skill song speaker Spenser and Milton spirit stanza suggests takes tion tradition understanding University Press verse Virgil's virtue vision voice youth
Referencias a este libro
The Pipes of Pan: Intertextuality and Literary Filiation in the Pastoral ... Thomas K. Hubbard Vista previa limitada - 1998 |
Sidney's Poetic Justice: The Old Arcadia, Its Eclogues, and Renaissance ... Robert E. Stillman,Robert Stillman, M.D. Vista previa limitada - 1986 |