The Lustrous Trade: Material Culture and the History of Sculpture in England and Italy, c.1700-c.1860Cinzia Sicca, Alison Yarrington A&C Black, 2001 M01 1 - 290 páginas In recent years, the Anglo-Italian sphere of artistic exchange in relation to painting has been an increasingly productive area of research. Here, contributors shift the focus onto the two countries' equally significant sculpture trade. This volume of selected essays by economic and social historians and historians of material culture and art investigates the varied roles and functions of sculpture and the ways in which this particular cultural exchange was manifested. Issues of business and the markets for sculpture are highlighted, both in the context of producers of "high"art and in the wider market of religious, garden and decorative sculpture. |
Dentro del libro
Resultados 1-5 de 58
Página vii
... Gallery , from Pyne ( 1819 ) 61 9 John Closterman , Anthony Ashley Cooper , 3rd Earl of Shaftesbury , and the Hon . Maurice Ashley Cooper , 1702 10 James Gibbs , Design for the Monument to James Craggs , 1724 855 83 85 11 Simon Gribelin ...
... Gallery , from Pyne ( 1819 ) 61 9 John Closterman , Anthony Ashley Cooper , 3rd Earl of Shaftesbury , and the Hon . Maurice Ashley Cooper , 1702 10 James Gibbs , Design for the Monument to James Craggs , 1724 855 83 85 11 Simon Gribelin ...
Página xi
... Gallery of Washington ( 1998 ) , and of the Victoria and Albert Museum , London ( 1999 ) . Elena Lazzarini graduated from the University of Pisa with a thesis on fresco decoration in Tuscany from the seventeenth century to the ...
... Gallery of Washington ( 1998 ) , and of the Victoria and Albert Museum , London ( 1999 ) . Elena Lazzarini graduated from the University of Pisa with a thesis on fresco decoration in Tuscany from the seventeenth century to the ...
Página xiii
... Gallery , Hull , and University Art Gallery , Nottingham , 1985 ) . She has worked on eighteenth - century paint- ing and sculpture in Florence and Rome , and on the transformations occurring in these fields of the visual arts as a ...
... Gallery , Hull , and University Art Gallery , Nottingham , 1985 ) . She has worked on eighteenth - century paint- ing and sculpture in Florence and Rome , and on the transformations occurring in these fields of the visual arts as a ...
Página 9
... gallery at Woburn Abbey.50 The pleasures of association and ownership are clear in the Duke of Devonshire's account of his collection just as they were in the eighteenth century at the Hanoverian court of George I. Sculpture was a ...
... gallery at Woburn Abbey.50 The pleasures of association and ownership are clear in the Duke of Devonshire's account of his collection just as they were in the eighteenth century at the Hanoverian court of George I. Sculpture was a ...
Página 10
... galleries , which in themselves often served as a memory of Italy . Canova was not the only Italian sculptor to find favour with British patrons in the nineteenth century . Amongst others were the Bergamasque Giovanni Maria Benzoni54 ...
... galleries , which in themselves often served as a memory of Italy . Canova was not the only Italian sculptor to find favour with British patrons in the nineteenth century . Amongst others were the Bergamasque Giovanni Maria Benzoni54 ...
Contenido
1 | |
Sculpture the Royal Image and the Market | 27 |
2 Camillo Rusconi in English Collections | 49 |
3 The Trade of Luxury Goods in Livorno and Florence in the Eighteenth Century | 67 |
Morality and Representation in English Eighteenthcentury Tomb Sculpture | 77 |
Sir Henry Cheere and the Formation of a New Commercial World of Sculpture in MidEighteenthCentury London | 94 |
Production and Consumption of Garden Sculpture in Genoa at the End of the Seventeenth and during the Eighteenth Century | 114 |
Chantrey and Canova | 132 |
The Lazzerini Workshop and the Arts Crafts and Entrepreneurs of Carrara in the Early Nineteenth Century | 156 |
Maintaining Distinction in an International Sculpture Market | 174 |
10 Belzonis Collecting and the Egyptian Taste | 191 |
The Beginnings of Italian Medieval and Renaissance Sculpture at the South Kensington Museum | 211 |
Sculpture as Fine and Ornamental Art at South Kensington 185262 | 222 |
BIBLIOGRAPHY | 240 |
INDEX | 267 |
Otras ediciones - Ver todas
The Lustrous Trade: Material Culture and the History of Sculpture in England ... Cinzia Sicca,Alison Yarrington Vista previa limitada - 2001 |
The Lustrous Trade: Material Culture and the History of Sculpture in England ... Cinzia Sicca,Alison Yarrington Vista previa limitada - 2001 |
Términos y frases comunes
6th Duke Accademia Albert Museum antique architecture Archivio artists Bartolini Belzoni British bronze Burlington busts Camillo Rusconi Campana Canova Carlo Marochetti Carrara carved casts catalogue Chantrey Chantrey's Chatsworth Cheere's City classical collection commissions contemporary context copies court cultural decoration Devonshire MSS display documents Domenico Parodi drawing Earl eighteenth century England English exhibition Farnese Hercules figures Filippo Parodi filza Florence Florentine Francesco garden Genoa George Giovanni Grand Guelfi Hanover Hanoverian Henry Cheere Holkham Hall Houghton Hall House Ibid important Italian Italy John Lazzarini Legé Leghorn letter Livorno London marble monument mummy National Gallery noted November objects ornaments paintings Palace Palazzo Palladian patrons Pisa plaster Plate political portrait production Robinson Roman Rome Royal Academy Rysbrack sculpture Shaftesbury Sicca Soldani South Kensington Museum statuary statue taste Thomas tomb trade tradition University of Pisa Venetian Venice Victoria and Albert Villa Westminster William Kent workshop Yarrington