The Lustrous Trade: Material Culture and the History of Sculpture in England and Italy, c.1700-c.1860Cinzia Sicca, Alison Yarrington A&C Black, 2001 M01 1 - 290 páginas In recent years, the Anglo-Italian sphere of artistic exchange in relation to painting has been an increasingly productive area of research. Here, contributors shift the focus onto the two countries' equally significant sculpture trade. This volume of selected essays by economic and social historians and historians of material culture and art investigates the varied roles and functions of sculpture and the ways in which this particular cultural exchange was manifested. Issues of business and the markets for sculpture are highlighted, both in the context of producers of "high"art and in the wider market of religious, garden and decorative sculpture. |
Dentro del libro
Resultados 1-5 de 44
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... Royal Image and the Market Barbara Arciszewska 27 2 Camillo Rusconi in English Collections 49 Frank Martin 3 The Trade of Luxury Goods in Livorno and Florence in the Eighteenth Century 67 Elena Lazzarini 4 Gentlemen of Virtue : Morality ...
... Royal Image and the Market Barbara Arciszewska 27 2 Camillo Rusconi in English Collections 49 Frank Martin 3 The Trade of Luxury Goods in Livorno and Florence in the Eighteenth Century 67 Elena Lazzarini 4 Gentlemen of Virtue : Morality ...
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... Royal Academy , London , Peter Day at Chatsworth , the staff of Cambridge University Library , the University of Leicester Library , and Silvana Agueci and Sandra Bravi of the Library of the Dipartimento di Storia delle Arti in Pisa for ...
... Royal Academy , London , Peter Day at Chatsworth , the staff of Cambridge University Library , the University of Leicester Library , and Silvana Agueci and Sandra Bravi of the Library of the Dipartimento di Storia delle Arti in Pisa for ...
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... Royal Academy's annals and his views on the arts were sought eagerly by artists and collectors as much as his sculpture was desired by aristocratic patrons such as the Dukes of Bedford and Devonshire . British sculptors such as Chantrey ...
... Royal Academy's annals and his views on the arts were sought eagerly by artists and collectors as much as his sculpture was desired by aristocratic patrons such as the Dukes of Bedford and Devonshire . British sculptors such as Chantrey ...
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... Royal Academy in London was particularly eager to upgrade and extend its collection by obtaining good . quality casts and copies after the antique.85 An inventory taken in 1814 by Westmacott and Wilkie revealed the poor state of repair ...
... Royal Academy in London was particularly eager to upgrade and extend its collection by obtaining good . quality casts and copies after the antique.85 An inventory taken in 1814 by Westmacott and Wilkie revealed the poor state of repair ...
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... Royal Academy exhibition was lost . 9 3 His correspondence with Benjamin Gott ( 1762-1840 ) , published by Friedman and Stevens , reveals much about the trade in sculpture as it affected his own business and his account of the shipwreck ...
... Royal Academy exhibition was lost . 9 3 His correspondence with Benjamin Gott ( 1762-1840 ) , published by Friedman and Stevens , reveals much about the trade in sculpture as it affected his own business and his account of the shipwreck ...
Contenido
1 | |
Sculpture the Royal Image and the Market | 27 |
2 Camillo Rusconi in English Collections | 49 |
3 The Trade of Luxury Goods in Livorno and Florence in the Eighteenth Century | 67 |
Morality and Representation in English Eighteenthcentury Tomb Sculpture | 77 |
Sir Henry Cheere and the Formation of a New Commercial World of Sculpture in MidEighteenthCentury London | 94 |
Production and Consumption of Garden Sculpture in Genoa at the End of the Seventeenth and during the Eighteenth Century | 114 |
Chantrey and Canova | 132 |
The Lazzerini Workshop and the Arts Crafts and Entrepreneurs of Carrara in the Early Nineteenth Century | 156 |
Maintaining Distinction in an International Sculpture Market | 174 |
10 Belzonis Collecting and the Egyptian Taste | 191 |
The Beginnings of Italian Medieval and Renaissance Sculpture at the South Kensington Museum | 211 |
Sculpture as Fine and Ornamental Art at South Kensington 185262 | 222 |
BIBLIOGRAPHY | 240 |
INDEX | 267 |
Otras ediciones - Ver todas
The Lustrous Trade: Material Culture and the History of Sculpture in England ... Cinzia Sicca,Alison Yarrington Vista previa limitada - 2001 |
The Lustrous Trade: Material Culture and the History of Sculpture in England ... Cinzia Sicca,Alison Yarrington Vista previa limitada - 2001 |
Términos y frases comunes
6th Duke Accademia Albert Museum antique architecture Archivio artists Bartolini Belzoni British bronze Burlington busts Camillo Rusconi Campana Canova Carlo Marochetti Carrara carved casts catalogue Chantrey Chantrey's Chatsworth Cheere's City classical collection commissions contemporary context copies court cultural decoration Devonshire MSS display documents Domenico Parodi drawing Earl eighteenth century England English exhibition Farnese Hercules figures Filippo Parodi filza Florence Florentine Francesco garden Genoa George Giovanni Grand Guelfi Hanover Hanoverian Henry Cheere Holkham Hall Houghton Hall House Ibid important Italian Italy John Lazzarini Legé Leghorn letter Livorno London marble monument mummy National Gallery noted November objects ornaments paintings Palace Palazzo Palladian patrons Pisa plaster Plate political portrait production Robinson Roman Rome Royal Academy Rysbrack sculpture Shaftesbury Sicca Soldani South Kensington Museum statuary statue taste Thomas tomb trade tradition University of Pisa Venetian Venice Victoria and Albert Villa Westminster William Kent workshop Yarrington