The Lustrous Trade: Material Culture and the History of Sculpture in England and Italy, c.1700-c.1860Cinzia Sicca, Alison Yarrington A&C Black, 2001 M01 1 - 290 páginas In recent years, the Anglo-Italian sphere of artistic exchange in relation to painting has been an increasingly productive area of research. Here, contributors shift the focus onto the two countries' equally significant sculpture trade. This volume of selected essays by economic and social historians and historians of material culture and art investigates the varied roles and functions of sculpture and the ways in which this particular cultural exchange was manifested. Issues of business and the markets for sculpture are highlighted, both in the context of producers of "high"art and in the wider market of religious, garden and decorative sculpture. |
Dentro del libro
Resultados 1-5 de 33
Página ix
... context we wish to thank the staff of the Victoria and Albert Museum , in particular John Styles , Malcom Baker and Marjorie Trusted , for their generous contribution to the project in its early stages . Elena Lazzarini was able to ...
... context we wish to thank the staff of the Victoria and Albert Museum , in particular John Styles , Malcom Baker and Marjorie Trusted , for their generous contribution to the project in its early stages . Elena Lazzarini was able to ...
Página 2
... context of the existing literature about sculpture in the so - called long eighteenth century . 11- Malcom Baker has recently argued the need to approach and write about sculpture in ways that might reclaim its political and public role ...
... context of the existing literature about sculpture in the so - called long eighteenth century . 11- Malcom Baker has recently argued the need to approach and write about sculpture in ways that might reclaim its political and public role ...
Página 3
... context of posthum- ous sales of sculptors ' collections , or of the dispersal of the collection of ant amateur or ... contexts which were not necessarily institutional and formal.16 The overwhelming presence of sculpture 18 forming the ...
... context of posthum- ous sales of sculptors ' collections , or of the dispersal of the collection of ant amateur or ... contexts which were not necessarily institutional and formal.16 The overwhelming presence of sculpture 18 forming the ...
Página 4
... context for reproduction in a variety of materials ranging from the very expensive gilt bronze to the equally expensive ivory , from porcelain23 to terracotta , down to sugar . ? 24 Small - scale sculpture was ideal for the Grand ...
... context for reproduction in a variety of materials ranging from the very expensive gilt bronze to the equally expensive ivory , from porcelain23 to terracotta , down to sugar . ? 24 Small - scale sculpture was ideal for the Grand ...
Página 13
... context of other entrepreneurial developments initiated by the Lazzerinis with leading sculptors of the day . Mary Berry , writing in her journal on 2 October 1819 having visited Bartolini's studio , commented upon his commercialism ...
... context of other entrepreneurial developments initiated by the Lazzerinis with leading sculptors of the day . Mary Berry , writing in her journal on 2 October 1819 having visited Bartolini's studio , commented upon his commercialism ...
Contenido
1 | |
Sculpture the Royal Image and the Market | 27 |
2 Camillo Rusconi in English Collections | 49 |
3 The Trade of Luxury Goods in Livorno and Florence in the Eighteenth Century | 67 |
Morality and Representation in English Eighteenthcentury Tomb Sculpture | 77 |
Sir Henry Cheere and the Formation of a New Commercial World of Sculpture in MidEighteenthCentury London | 94 |
Production and Consumption of Garden Sculpture in Genoa at the End of the Seventeenth and during the Eighteenth Century | 114 |
Chantrey and Canova | 132 |
The Lazzerini Workshop and the Arts Crafts and Entrepreneurs of Carrara in the Early Nineteenth Century | 156 |
Maintaining Distinction in an International Sculpture Market | 174 |
10 Belzonis Collecting and the Egyptian Taste | 191 |
The Beginnings of Italian Medieval and Renaissance Sculpture at the South Kensington Museum | 211 |
Sculpture as Fine and Ornamental Art at South Kensington 185262 | 222 |
BIBLIOGRAPHY | 240 |
INDEX | 267 |
Otras ediciones - Ver todas
The Lustrous Trade: Material Culture and the History of Sculpture in England ... Cinzia Sicca,Alison Yarrington Vista previa limitada - 2001 |
The Lustrous Trade: Material Culture and the History of Sculpture in England ... Cinzia Sicca,Alison Yarrington Vista previa limitada - 2001 |
Términos y frases comunes
6th Duke Accademia Albert Museum antique architecture Archivio artists Bartolini Belzoni British bronze Burlington busts Camillo Rusconi Campana Canova Carlo Marochetti Carrara carved casts catalogue Chantrey Chantrey's Chatsworth Cheere's City classical collection commissions contemporary context copies court cultural decoration Devonshire MSS display documents Domenico Parodi drawing Earl eighteenth century England English exhibition Farnese Hercules figures Filippo Parodi filza Florence Florentine Francesco garden Genoa George Giovanni Grand Guelfi Hanover Hanoverian Henry Cheere Holkham Hall Houghton Hall House Ibid important Italian Italy John Lazzarini Legé Leghorn letter Livorno London marble monument mummy National Gallery noted November objects ornaments paintings Palace Palazzo Palladian patrons Pisa plaster Plate political portrait production Robinson Roman Rome Royal Academy Rysbrack sculpture Shaftesbury Sicca Soldani South Kensington Museum statuary statue taste Thomas tomb trade tradition University of Pisa Venetian Venice Victoria and Albert Villa Westminster William Kent workshop Yarrington