The Lustrous Trade: Material Culture and the History of Sculpture in England and Italy, c.1700-c.1860Cinzia Sicca, Alison Yarrington A&C Black, 2001 M01 1 - 290 páginas In recent years, the Anglo-Italian sphere of artistic exchange in relation to painting has been an increasingly productive area of research. Here, contributors shift the focus onto the two countries' equally significant sculpture trade. This volume of selected essays by economic and social historians and historians of material culture and art investigates the varied roles and functions of sculpture and the ways in which this particular cultural exchange was manifested. Issues of business and the markets for sculpture are highlighted, both in the context of producers of "high"art and in the wider market of religious, garden and decorative sculpture. |
Dentro del libro
Resultados 1-5 de 45
Página vii
... Drawing Room of Houghton Hall 6 Diana , Holkham Hall 7 Diana , from De Rossi and Maffei , 1704 28 37 43 53 55 57 59 8 William Henry Pyne , The King's Gallery , from Pyne ( 1819 ) 61 9 John Closterman , Anthony Ashley Cooper , 3rd Earl ...
... Drawing Room of Houghton Hall 6 Diana , Holkham Hall 7 Diana , from De Rossi and Maffei , 1704 28 37 43 53 55 57 59 8 William Henry Pyne , The King's Gallery , from Pyne ( 1819 ) 61 9 John Closterman , Anthony Ashley Cooper , 3rd Earl ...
Página viii
... drawing from an album 30 Louis Laurent Atthalim , Studio of Carlo Marochetti at Vaux in 1843 31 Watercolour illustrations prepared by Belzoni for display of material relating to the tomb of Seti I in the Egyptian Hall 129 139 140 144 ...
... drawing from an album 30 Louis Laurent Atthalim , Studio of Carlo Marochetti at Vaux in 1843 31 Watercolour illustrations prepared by Belzoni for display of material relating to the tomb of Seti I in the Egyptian Hall 129 139 140 144 ...
Página xiii
... drawings in the Devonshire collection . Philip Ward - Jackson is Deputy Librarian in charge of the Conway Library at the Courtauld Institute . His PhD thesis ( 1970 ) was on J. K. Huysmans as art critic . In more recent times he has ...
... drawings in the Devonshire collection . Philip Ward - Jackson is Deputy Librarian in charge of the Conway Library at the Courtauld Institute . His PhD thesis ( 1970 ) was on J. K. Huysmans as art critic . In more recent times he has ...
Página 6
... drawing on the modern iconographical repertoire . The English favoured mythological and allegorical subjects , but some collectors did not disdain . religious subjects either . Soldani appears to have been the only Italian sculptor to ...
... drawing on the modern iconographical repertoire . The English favoured mythological and allegorical subjects , but some collectors did not disdain . religious subjects either . Soldani appears to have been the only Italian sculptor to ...
Página 12
... Drawings , Objects of Antiquity , Bronzes & c . Artists ' Books and Florentine Mosaic . Commissions taken for Marble Busts and Portrait Painting , and generally for all kinds of Architectural Works , as Monuments , Chimney Pieces ...
... Drawings , Objects of Antiquity , Bronzes & c . Artists ' Books and Florentine Mosaic . Commissions taken for Marble Busts and Portrait Painting , and generally for all kinds of Architectural Works , as Monuments , Chimney Pieces ...
Contenido
1 | |
Sculpture the Royal Image and the Market | 27 |
2 Camillo Rusconi in English Collections | 49 |
3 The Trade of Luxury Goods in Livorno and Florence in the Eighteenth Century | 67 |
Morality and Representation in English Eighteenthcentury Tomb Sculpture | 77 |
Sir Henry Cheere and the Formation of a New Commercial World of Sculpture in MidEighteenthCentury London | 94 |
Production and Consumption of Garden Sculpture in Genoa at the End of the Seventeenth and during the Eighteenth Century | 114 |
Chantrey and Canova | 132 |
The Lazzerini Workshop and the Arts Crafts and Entrepreneurs of Carrara in the Early Nineteenth Century | 156 |
Maintaining Distinction in an International Sculpture Market | 174 |
10 Belzonis Collecting and the Egyptian Taste | 191 |
The Beginnings of Italian Medieval and Renaissance Sculpture at the South Kensington Museum | 211 |
Sculpture as Fine and Ornamental Art at South Kensington 185262 | 222 |
BIBLIOGRAPHY | 240 |
INDEX | 267 |
Otras ediciones - Ver todas
The Lustrous Trade: Material Culture and the History of Sculpture in England ... Cinzia Sicca,Alison Yarrington Vista previa limitada - 2001 |
The Lustrous Trade: Material Culture and the History of Sculpture in England ... Cinzia Sicca,Alison Yarrington Vista previa limitada - 2001 |
Términos y frases comunes
6th Duke Accademia Albert Museum antique architecture Archivio artists Bartolini Belzoni British bronze Burlington busts Camillo Rusconi Campana Canova Carlo Marochetti Carrara carved casts catalogue Chantrey Chantrey's Chatsworth Cheere's City classical collection commissions contemporary context copies court cultural decoration Devonshire MSS display documents Domenico Parodi drawing Earl eighteenth century England English exhibition Farnese Hercules figures Filippo Parodi filza Florence Florentine Francesco garden Genoa George Giovanni Grand Guelfi Hanover Hanoverian Henry Cheere Holkham Hall Houghton Hall House Ibid important Italian Italy John Lazzarini Legé Leghorn letter Livorno London marble monument mummy National Gallery noted November objects ornaments paintings Palace Palazzo Palladian patrons Pisa plaster Plate political portrait production Robinson Roman Rome Royal Academy Rysbrack sculpture Shaftesbury Sicca Soldani South Kensington Museum statuary statue taste Thomas tomb trade tradition University of Pisa Venetian Venice Victoria and Albert Villa Westminster William Kent workshop Yarrington