Well tried through many a varying year, Of every friendless name the friend. Yet still he fills affection's eye, When fainting nature call'd for aid, The power of art without the show. In misery's darkest cavern known No summons mock'd by chill delay, The modest wants of every day The toil of every day supply'd. His virtues walk'd their narrow round, The busy day-the peaceful night, His frame was firm-his powers were bright, Then with no fiery, throbbing pain, VANITY OF HUMAN WISHES. WHERE then shall hope and fear their objects find, No cries invoke the mercies of the skies ? Inquirer, cease, petitions yet remain, Which Heaven may hear, nor deem religion vain. But leave to Heaven the measure and the choice; Secure, whate'er he gives, he gives the best : gain; With these celestial Wisdom calms the mind, THOMAS GRAY. BORN 1716-DIED 1771. GRAY is of the number of those poets alluded to in the preliminary observations, who, without being entitled to the name of Sacred Poets, obtain an influence over the affections of the most ennobling tendency, softening and purifying the heart, and elevating the mind above degrading pursuits and sensual indulgences. If this is applicable to a whole class of English compositions, how strongly does it hold of the Elegy in a Country Church-yard,"-" one of the most classical productions that ever was penned by a thoughtful mind, moralizing on human life." Thomas Gray was born in London, where his father was a money-scrivener. He was educated at Eton and Cambridge, and afterwards travelled for a time with the celebrated Horace Walpole, Earl of Orford. The death of his father put him in possession of a small fortune; and he entered Cambridge, where he passed the remainder of his days; the composition of poetry being the principal enjoyment of his listless and secluded college life. In 1768 he was appointed Professor of Modern History at Cambridge, an office which he did not long enjoy. Gray's Letters show as much talent, and perhaps more power of mind, than his poetry. They are among the most pleasing epistolary compositions in the language. ELEGY WRITTEN IN A COUNTRY CHURCH-YARD. THE curfew tolls the knell of parting day; Now fades the glimmering landscape on the sight, And all the air a solemn stillness holds ; Save where the beetle wheels his drony flight, And drowsy tinklings lull the distant folds; Save that, from yonder ivy-mantled tower, The moping owl does to the moon complain Of such as, wandering near her secret bower, Molest her ancient solitary reign. Beneath these rugged elms, that yew-tree's shade, Where heaves the turf in many a mouldering heap, Each in his narrow cell for ever laid, The rude forefathers of the hamlet sleep. The breezy call of incense-breathing morn, Theswallow twittering from her straw-built shed, The cock's shrill clarion, or the echoing horn, No more shall rouse them from their lowly bed. For them no more the blazing hearth shall burn, Oft did the harvest to their sickle yield; Their furrow oft the stubborn glebe has broke : How jocund did they drive their team a-field! How bow'd the woods beneath their sturdy stroke! Let not Ambition mock their useful toil, Their homely joys and destiny obscure; Nor Grandeur hear, with a disdainful smile, The short and simple annals of the poor. The boast of heraldry, the pomp of power, The paths of glory lead-but to the grave. Nor you, ye proud, impute to these the fault, If memory o'er their tomb no trophies raise, Where, through the long-drawn aisle and fretted vault, The pealing anthem swells the note of praise. Can storied urn, or animated bust, Back to its mansion call the fleeting breath? Can honour's voice provoke the silent dust, Or flattery sooth the dull cold ear of Death? Perhaps, in this neglected spot, is laid Some heart once pregnant with celestial fire; Hands, that the rod of empire might have sway'd, Or waked to ecstacy the living lyre: But Knowledge to their eyes her ample page, Full many a gem of purest ray serene, The dark unfathom'd caves of ocean bear; Full many a flower is born to blush unseen, And waste its sweetness on the desert air. Some village Hampden, that with dauntless breast, The little tyrant of his fields withstood; Some mute inglorious Milton here may rest; Some Cromwell, guiltless of his country's blood' |