Thomas Hardy, Towards a Materialist CriticismGill and Macmillan, 1985 - 233 páginas Challenging the generally accepted critical constructions of the novels of Thomas Hardy, this book explores the historical, social, aesthetic and ideological determinants of Hardy's novels. Analyzing the ways in which Hardy's writings have been variously reproduced in literary criticism to produce certain social and ideological effects. Wotton also discusses the relation between Hardy's writing and Hardy criticism. |
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Página 208
... English was in a very different situation from what it is now . Then English Literature was forged as the weapon of a radical cause : ... the very conditions that make literary education look so desperate are those which make it more ...
... English was in a very different situation from what it is now . Then English Literature was forged as the weapon of a radical cause : ... the very conditions that make literary education look so desperate are those which make it more ...
Página 212
... English . The politicization of criticism has produced a situation where it has become impossible for many to teach , in good faith , English as it has been constituted as a discipline over the past fifty years . In the institutions of ...
... English . The politicization of criticism has produced a situation where it has become impossible for many to teach , in good faith , English as it has been constituted as a discipline over the past fifty years . In the institutions of ...
Página 215
... English Novel from Dickens to Lawrence , London , 1971 , 98-9 . 24. Antonio Gramsci , Selections from the Prison Notebooks , trans . Quintin Hoare and Geoffrey Nowell Smith , London , 1971 , 258 . CHAPTER 1 1. The English Novel from ...
... English Novel from Dickens to Lawrence , London , 1971 , 98-9 . 24. Antonio Gramsci , Selections from the Prison Notebooks , trans . Quintin Hoare and Geoffrey Nowell Smith , London , 1971 , 258 . CHAPTER 1 1. The English Novel from ...
Contenido
Introduction | 1 |
Production of Wessex | 35 |
Workfolk | 60 |
Derechos de autor | |
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activated aesthetic aesthetic ideology appears basis become believed called Capital century characters complex concept condition consciousness constitutes construction continuous contradiction course criticism culture determined discourse dominant effect English essential existence experience expression eyes face fact final forces function gaze hand Hardy's writing human idea idealizing ideological important individual intention Jude knowledge labour language literary Literature lives London material meaning namely nature novel object observed perceived perception philosophy point of view position practice present production progress radical reader reality reflection relations relationship represents reveals rural seen sense separation sight simply social society specific structure of perceptions suggests Tess things thinking Thomas Hardy thought tion tradition transformation true universal vision Wessex woman women workfolk wrote