Thomas Hardy, Towards a Materialist CriticismGill and Macmillan, 1985 - 233 páginas Challenging the generally accepted critical constructions of the novels of Thomas Hardy, this book explores the historical, social, aesthetic and ideological determinants of Hardy's novels. Analyzing the ways in which Hardy's writings have been variously reproduced in literary criticism to produce certain social and ideological effects. Wotton also discusses the relation between Hardy's writing and Hardy criticism. |
Dentro del libro
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Página 4
... writing produces the possibility for an infinite number of acts of sight to take place involving not only the characters but also the writer and the readers . However , it was not Hardy's intention that a true mode of perception be ...
... writing produces the possibility for an infinite number of acts of sight to take place involving not only the characters but also the writer and the readers . However , it was not Hardy's intention that a true mode of perception be ...
Página 81
... Hardy's writing , it is essential to make a distinction between the perceptions pro- duced by the writing's aesthetic project and the knowledge pro- duced by the critical discourse . What I am going to say about Hardy's writing cannot ...
... Hardy's writing , it is essential to make a distinction between the perceptions pro- duced by the writing's aesthetic project and the knowledge pro- duced by the critical discourse . What I am going to say about Hardy's writing cannot ...
Página 88
... writing's aesthetic project and its productive capacity , that is , the way in which the writing actually produces an image of the ideological which is quite independent of authorial intention . Were Hardy's writing not determined by a ...
... writing's aesthetic project and its productive capacity , that is , the way in which the writing actually produces an image of the ideological which is quite independent of authorial intention . Were Hardy's writing not determined by a ...
Contenido
Introduction | 1 |
Production of Wessex | 35 |
Workfolk | 60 |
Derechos de autor | |
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Términos y frases comunes
aesthetic ideology aesthetic project appears Capital capitalist mode characters Christminster Clym community of labour conflict consciousness constitutes construction contradiction critical discourse culture determined discourse of aesthetic distracted gaze dominant Dorset effect Egdon English essential Eustacia existence expression F. R. Leavis Hand of Ethelberta Hardy's novels Hardy's women Hardy's writing human Ibid idea idealist idealizing vision ideological forms individual Jude Jude the Obscure language Leavis literary Literature London Louis Althusser Madding Crowd Marx material materialist criticism Mayor of Casterbridge Melbury mode of perception mode of production nature object perceived philosophy point of view production of Hardy's radical separation re)production reader realism reality relations of production relationship represents reproduced reveals sense sexual sight signifies society specific structure of perceptions Tess thinking world Thomas Hardy tion transformation unity universal wage labour Wessex woman workfolk writing produces writing's wrote