Thomas Hardy, Towards a Materialist CriticismGill and Macmillan, 1985 - 233 páginas Challenging the generally accepted critical constructions of the novels of Thomas Hardy, this book explores the historical, social, aesthetic and ideological determinants of Hardy's novels. Analyzing the ways in which Hardy's writings have been variously reproduced in literary criticism to produce certain social and ideological effects. Wotton also discusses the relation between Hardy's writing and Hardy criticism. |
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Página 62
... appears as the head and pinnacle , the point of consciousness in which all natural and human history appears to culminate , we have an image of the discourse of the continuous which makes human consciousness the subject of all ...
... appears as the head and pinnacle , the point of consciousness in which all natural and human history appears to culminate , we have an image of the discourse of the continuous which makes human consciousness the subject of all ...
Página 113
... appears to be the heath's eyes , the living embodiment of Egdon's ' watchful intentness ' . All Venn's actions , even his occupation of reddleman , are motivated by his love for Thomasin , a love which takes the form ( like Gabriel ...
... appears to be the heath's eyes , the living embodiment of Egdon's ' watchful intentness ' . All Venn's actions , even his occupation of reddleman , are motivated by his love for Thomasin , a love which takes the form ( like Gabriel ...
Página 172
... appear as dominant critical percep- tions . This dominance is not imposed but appears to be freely arrived at , the product of critical consensus . Second , while these dominant perceptions are offered as a knowledge of the literary ...
... appear as dominant critical percep- tions . This dominance is not imposed but appears to be freely arrived at , the product of critical consensus . Second , while these dominant perceptions are offered as a knowledge of the literary ...
Contenido
Introduction | 1 |
Production of Wessex | 35 |
Workfolk | 60 |
Derechos de autor | |
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activated aesthetic aesthetic ideology appears basis become believed called Capital century characters complex concept condition consciousness constitutes construction continuous contradiction course criticism culture determined discourse dominant effect English essential existence experience expression eyes face fact final forces function gaze hand Hardy's writing human idea idealizing ideological important individual intention Jude knowledge labour language literary Literature lives London material meaning namely nature novel object observed perceived perception philosophy point of view position practice present production progress radical reader reality reflection relations relationship represents reveals rural seen sense separation sight simply social society specific structure of perceptions suggests Tess things thinking Thomas Hardy thought tion tradition transformation true universal vision Wessex woman women workfolk wrote