Thomas Hardy, Towards a Materialist CriticismGill and Macmillan, 1985 - 233 páginas Challenging the generally accepted critical constructions of the novels of Thomas Hardy, this book explores the historical, social, aesthetic and ideological determinants of Hardy's novels. Analyzing the ways in which Hardy's writings have been variously reproduced in literary criticism to produce certain social and ideological effects. Wotton also discusses the relation between Hardy's writing and Hardy criticism. |
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Página 18
... basis of the whole process . The history of this expropriation , in different countries , assumes different aspects , and runs through its various phases in different orders of succession , and at different periods . In England alone ...
... basis of the whole process . The history of this expropriation , in different countries , assumes different aspects , and runs through its various phases in different orders of succession , and at different periods . In England alone ...
Página 37
... basis for a replacement for Christianity . These two major ideo- logues both acknowledged the scientific critique of Christianity and the necessity for a viable alternative and they also agreed on the role the State should play in ...
... basis for a replacement for Christianity . These two major ideo- logues both acknowledged the scientific critique of Christianity and the necessity for a viable alternative and they also agreed on the role the State should play in ...
Página 202
... basis of an interaction of one subject's point of view with another's to engage , that is , not with the writing itself but with its ( re ) production in the discourse of aesthetic ideology . Thus the student's response is not only ...
... basis of an interaction of one subject's point of view with another's to engage , that is , not with the writing itself but with its ( re ) production in the discourse of aesthetic ideology . Thus the student's response is not only ...
Contenido
Introduction | 1 |
Production of Wessex | 35 |
Workfolk | 60 |
Derechos de autor | |
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activated aesthetic aesthetic ideology appears basis become believed called Capital century characters complex concept condition consciousness constitutes construction continuous contradiction course criticism culture determined discourse dominant effect English essential existence experience expression eyes face fact final forces function gaze hand Hardy's writing human idea idealizing ideological important individual intention Jude knowledge labour language literary Literature lives London material meaning namely nature novel object observed perceived perception philosophy point of view position practice present production progress radical reader reality reflection relations relationship represents reveals rural seen sense separation sight simply social society specific structure of perceptions suggests Tess things thinking Thomas Hardy thought tion tradition transformation true universal vision Wessex woman women workfolk wrote