Thomas Hardy, Towards a Materialist CriticismGill and Macmillan, 1985 - 233 páginas Challenging the generally accepted critical constructions of the novels of Thomas Hardy, this book explores the historical, social, aesthetic and ideological determinants of Hardy's novels. Analyzing the ways in which Hardy's writings have been variously reproduced in literary criticism to produce certain social and ideological effects. Wotton also discusses the relation between Hardy's writing and Hardy criticism. |
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Página 7
... believed that the function of the artist was to draw aside the veil of the apparent , he defined himself as a seer whose art was not concerned with the mirroring of reality or the expression of ideas , but with seeing into the structure ...
... believed that the function of the artist was to draw aside the veil of the apparent , he defined himself as a seer whose art was not concerned with the mirroring of reality or the expression of ideas , but with seeing into the structure ...
Página 32
... believed that he had found in Idealism a profound truth ... how to reconcile right thought with right conduct . At the heart of his own teaching is the exultation of an integral and ever active altruism . Through continued and ...
... believed that he had found in Idealism a profound truth ... how to reconcile right thought with right conduct . At the heart of his own teaching is the exultation of an integral and ever active altruism . Through continued and ...
Página 167
... believed in an ultimate progress . " 42 In the second interpretation ( 1954 ) the critic sees the deter- mining material reality of Hardy's writing as historical change , the rape of the country by urban industrial society , the ...
... believed in an ultimate progress . " 42 In the second interpretation ( 1954 ) the critic sees the deter- mining material reality of Hardy's writing as historical change , the rape of the country by urban industrial society , the ...
Contenido
Introduction | 1 |
Production of Wessex | 35 |
Workfolk | 60 |
Derechos de autor | |
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activated aesthetic aesthetic ideology appears basis become believed called Capital century characters complex concept condition consciousness constitutes construction continuous contradiction course criticism culture determined discourse dominant effect English essential existence experience expression eyes face fact final forces function gaze hand Hardy's writing human idea idealizing ideological important individual intention Jude knowledge labour language literary Literature lives London material meaning namely nature novel object observed perceived perception philosophy point of view position practice present production progress radical reader reality reflection relations relationship represents reveals rural seen sense separation sight simply social society specific structure of perceptions suggests Tess things thinking Thomas Hardy thought tion tradition transformation true universal vision Wessex woman women workfolk wrote