Thomas Hardy, Towards a Materialist CriticismGill and Macmillan, 1985 - 233 páginas Challenging the generally accepted critical constructions of the novels of Thomas Hardy, this book explores the historical, social, aesthetic and ideological determinants of Hardy's novels. Analyzing the ways in which Hardy's writings have been variously reproduced in literary criticism to produce certain social and ideological effects. Wotton also discusses the relation between Hardy's writing and Hardy criticism. |
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Página 44
... complex perception of history , a perception which is grounded in that ideological view of the radical separa- tion . What I am suggesting is that the world of Wessex is neither a reflection nor a ' fiction ' but a production which has ...
... complex perception of history , a perception which is grounded in that ideological view of the radical separa- tion . What I am suggesting is that the world of Wessex is neither a reflection nor a ' fiction ' but a production which has ...
Página 87
... complex ' and was trying to show off his knowledge of painting in order to impress his readers . What is important is that such references set up a particular relation be- tween perceiver and perceived which has more to do with the ...
... complex ' and was trying to show off his knowledge of painting in order to impress his readers . What is important is that such references set up a particular relation be- tween perceiver and perceived which has more to do with the ...
Página 99
... complex of contradictory meanings . Some of these meanings are external to the novel - those which spring from the allusion to other dis- courses - and some internal - those which relate to the specific imaginary situation of this ...
... complex of contradictory meanings . Some of these meanings are external to the novel - those which spring from the allusion to other dis- courses - and some internal - those which relate to the specific imaginary situation of this ...
Contenido
Introduction | 1 |
Production of Wessex | 35 |
Workfolk | 60 |
Derechos de autor | |
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Términos y frases comunes
activated aesthetic aesthetic ideology appears basis become believed called Capital century characters complex concept condition consciousness constitutes construction continuous contradiction course criticism culture determined discourse dominant effect English essential existence experience expression eyes face fact final forces function gaze hand Hardy's writing human idea idealizing ideological important individual intention Jude knowledge labour language literary Literature lives London material meaning namely nature novel object observed perceived perception philosophy point of view position practice present production progress radical reader reality reflection relations relationship represents reveals rural seen sense separation sight simply social society specific structure of perceptions suggests Tess things thinking Thomas Hardy thought tion tradition transformation true universal vision Wessex woman women workfolk wrote