Thomas Hardy, Towards a Materialist CriticismGill and Macmillan, 1985 - 233 páginas Challenging the generally accepted critical constructions of the novels of Thomas Hardy, this book explores the historical, social, aesthetic and ideological determinants of Hardy's novels. Analyzing the ways in which Hardy's writings have been variously reproduced in literary criticism to produce certain social and ideological effects. Wotton also discusses the relation between Hardy's writing and Hardy criticism. |
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Página 9
... concept of the structure of perceptions which informs Hardy's novels . The third and final part concerns the relation between Hardy's writing and aesthetic ideology , the ways in which ' Thomas Hardy ' has been produced as ' Litera ...
... concept of the structure of perceptions which informs Hardy's novels . The third and final part concerns the relation between Hardy's writing and aesthetic ideology , the ways in which ' Thomas Hardy ' has been produced as ' Litera ...
Página 28
... concept of continuous history was crucial . On the one hand history conceived as a process of differentiation and ... concepts of progress and the advance of civilization , propagated the myth of the eternal and was centred on Man's ...
... concept of continuous history was crucial . On the one hand history conceived as a process of differentiation and ... concepts of progress and the advance of civilization , propagated the myth of the eternal and was centred on Man's ...
Página 87
... concept which aesthetic ideology has imposed on writing , namely that the artistic work is a totality , the creation of its author's consciousness , what follows is intentionally ' fragmented ' . This means that while exploring the ...
... concept which aesthetic ideology has imposed on writing , namely that the artistic work is a totality , the creation of its author's consciousness , what follows is intentionally ' fragmented ' . This means that while exploring the ...
Contenido
Introduction | 1 |
Production of Wessex | 35 |
Workfolk | 60 |
Derechos de autor | |
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activated aesthetic aesthetic ideology appears basis become believed called Capital century characters complex concept condition consciousness constitutes construction continuous contradiction course criticism culture determined discourse dominant effect English essential existence experience expression eyes face fact final forces function gaze hand Hardy's writing human idea idealizing ideological important individual intention Jude knowledge labour language literary Literature lives London material meaning namely nature novel object observed perceived perception philosophy point of view position practice present production progress radical reader reality reflection relations relationship represents reveals rural seen sense separation sight simply social society specific structure of perceptions suggests Tess things thinking Thomas Hardy thought tion tradition transformation true universal vision Wessex woman women workfolk wrote