Thomas Hardy, Towards a Materialist CriticismGill and Macmillan, 1985 - 233 páginas Challenging the generally accepted critical constructions of the novels of Thomas Hardy, this book explores the historical, social, aesthetic and ideological determinants of Hardy's novels. Analyzing the ways in which Hardy's writings have been variously reproduced in literary criticism to produce certain social and ideological effects. Wotton also discusses the relation between Hardy's writing and Hardy criticism. |
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Página 96
... experience . And when Knight experiences Nature , even for those few brief moments , in the way that the workfolk are forced to throughout their lives ( we are reminded here of the farm workers ' experiences at Flintcomb - Ash in ...
... experience . And when Knight experiences Nature , even for those few brief moments , in the way that the workfolk are forced to throughout their lives ( we are reminded here of the farm workers ' experiences at Flintcomb - Ash in ...
Página 152
... experience fertilize his imagina- tion .... His achievement , therefore , is limited to that part of his work which deals with these aspects of his experience . '50 We may break this down thus : the value of great art is its ability to ...
... experience fertilize his imagina- tion .... His achievement , therefore , is limited to that part of his work which deals with these aspects of his experience . '50 We may break this down thus : the value of great art is its ability to ...
Página 213
... experience of ages ' , seems to be a self evidently valuable enterprise only so long as no ques- tions are raised as to whose experience it is that is being picked and who is doing the picking . Feminist and Marxist critics have asked ...
... experience of ages ' , seems to be a self evidently valuable enterprise only so long as no ques- tions are raised as to whose experience it is that is being picked and who is doing the picking . Feminist and Marxist critics have asked ...
Contenido
Introduction | 1 |
Production of Wessex | 35 |
Workfolk | 60 |
Derechos de autor | |
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activated aesthetic aesthetic ideology appears basis become believed called Capital century characters complex concept condition consciousness constitutes construction continuous contradiction course criticism culture determined discourse dominant effect English essential existence experience expression eyes face fact final forces function gaze hand Hardy's writing human idea idealizing ideological important individual intention Jude knowledge labour language literary Literature lives London material meaning namely nature novel object observed perceived perception philosophy point of view position practice present production progress radical reader reality reflection relations relationship represents reveals rural seen sense separation sight simply social society specific structure of perceptions suggests Tess things thinking Thomas Hardy thought tion tradition transformation true universal vision Wessex woman women workfolk wrote