Thomas Hardy, Towards a Materialist CriticismGill and Macmillan, 1985 - 233 páginas Challenging the generally accepted critical constructions of the novels of Thomas Hardy, this book explores the historical, social, aesthetic and ideological determinants of Hardy's novels. Analyzing the ways in which Hardy's writings have been variously reproduced in literary criticism to produce certain social and ideological effects. Wotton also discusses the relation between Hardy's writing and Hardy criticism. |
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Página 94
... face to face with the beginning and all the intermediate centuries simultaneously . Suspended between life and death , Knight comes face to face with Nature . The two extremities of the evolutionary scale be- tween which all natural and ...
... face to face with the beginning and all the intermediate centuries simultaneously . Suspended between life and death , Knight comes face to face with Nature . The two extremities of the evolutionary scale be- tween which all natural and ...
Página 119
... Face to Face ' , Hardy deploys another of those painting analogies which structures the relationship between subject and object as a relationship of sight . Clym is leaning against the dark wood of a settle against which his face shines ...
... Face to Face ' , Hardy deploys another of those painting analogies which structures the relationship between subject and object as a relationship of sight . Clym is leaning against the dark wood of a settle against which his face shines ...
Página 120
... face are the marks or symbols of a radical separation . The readers of this discourse are meant to see in Clym an image of the end of a specific history , a finality which becomes fully visible in the face of this man who is the spirit ...
... face are the marks or symbols of a radical separation . The readers of this discourse are meant to see in Clym an image of the end of a specific history , a finality which becomes fully visible in the face of this man who is the spirit ...
Contenido
Introduction | 1 |
Production of Wessex | 35 |
Workfolk | 60 |
Derechos de autor | |
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Términos y frases comunes
activated aesthetic aesthetic ideology appears basis become believed called Capital century characters complex concept condition consciousness constitutes construction continuous contradiction course criticism culture determined discourse dominant effect English essential existence experience expression eyes face fact final forces function gaze hand Hardy's writing human idea idealizing ideological important individual intention Jude knowledge labour language literary Literature lives London material meaning namely nature novel object observed perceived perception philosophy point of view position practice present production progress radical reader reality reflection relations relationship represents reveals rural seen sense separation sight simply social society specific structure of perceptions suggests Tess things thinking Thomas Hardy thought tion tradition transformation true universal vision Wessex woman women workfolk wrote