Thomas Hardy, Towards a Materialist CriticismGill and Macmillan, 1985 - 233 páginas Challenging the generally accepted critical constructions of the novels of Thomas Hardy, this book explores the historical, social, aesthetic and ideological determinants of Hardy's novels. Analyzing the ways in which Hardy's writings have been variously reproduced in literary criticism to produce certain social and ideological effects. Wotton also discusses the relation between Hardy's writing and Hardy criticism. |
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Página 58
... final words of the novel : ' Whenever I plant the young larches I'll think that none can plant as you planted ; and whenever I split a gad , and when- ever I turn a cider wring , I'll say none could do it like you . If ever I forget ...
... final words of the novel : ' Whenever I plant the young larches I'll think that none can plant as you planted ; and whenever I split a gad , and when- ever I turn a cider wring , I'll say none could do it like you . If ever I forget ...
Página 64
... final triumph of spirit over the disorganized , the passionate , the festive , the flesh . The essence of Elizabeth - Jane's character is restraint and , like Farfrae's , her actions are characterized by their ' reasonableness ' and her ...
... final triumph of spirit over the disorganized , the passionate , the festive , the flesh . The essence of Elizabeth - Jane's character is restraint and , like Farfrae's , her actions are characterized by their ' reasonableness ' and her ...
Página 209
... final decision as to value'2 as a militant manifesto , literary criticism became a radical practice in so far as the ability to discriminate between the fine and the shoddy became the key to under- standing ' life ' itself . But it was ...
... final decision as to value'2 as a militant manifesto , literary criticism became a radical practice in so far as the ability to discriminate between the fine and the shoddy became the key to under- standing ' life ' itself . But it was ...
Contenido
Introduction | 1 |
Production of Wessex | 35 |
Workfolk | 60 |
Derechos de autor | |
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Términos y frases comunes
activated aesthetic aesthetic ideology appears basis become believed called Capital century characters complex concept condition consciousness constitutes construction continuous contradiction course criticism culture determined discourse dominant effect English essential existence experience expression eyes face fact final forces function gaze hand Hardy's writing human idea idealizing ideological important individual intention Jude knowledge labour language literary Literature lives London material meaning namely nature novel object observed perceived perception philosophy point of view position practice present production progress radical reader reality reflection relations relationship represents reveals rural seen sense separation sight simply social society specific structure of perceptions suggests Tess things thinking Thomas Hardy thought tion tradition transformation true universal vision Wessex woman women workfolk wrote