Thomas Hardy, Towards a Materialist CriticismGill and Macmillan, 1985 - 233 páginas Challenging the generally accepted critical constructions of the novels of Thomas Hardy, this book explores the historical, social, aesthetic and ideological determinants of Hardy's novels. Analyzing the ways in which Hardy's writings have been variously reproduced in literary criticism to produce certain social and ideological effects. Wotton also discusses the relation between Hardy's writing and Hardy criticism. |
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Página 19
... land into pasture , machinery , etc. , and the continual eviction of the agricultural population by the destruction of their cottages , go hand in hand ......... . The packing together of knots of men Thy - Macky The 1237 ..
... land into pasture , machinery , etc. , and the continual eviction of the agricultural population by the destruction of their cottages , go hand in hand ......... . The packing together of knots of men Thy - Macky The 1237 ..
Página 28
... hand history conceived as a process of differentiation and evolution , ' a line of progress with a logic akin to destiny ' , 10 was the ideological reflex of the growth and development of the economic and political power of the ...
... hand history conceived as a process of differentiation and evolution , ' a line of progress with a logic akin to destiny ' , 10 was the ideological reflex of the growth and development of the economic and political power of the ...
Página 83
... hand and says : ' If I were drowned or buried , dressed or un- dressed , in fustian or in broadcloth , folk would look at my hand and say , " that man's a carpenter " 13 Alive or dead , thus ' branded with work ' , Sol is seen by the ...
... hand and says : ' If I were drowned or buried , dressed or un- dressed , in fustian or in broadcloth , folk would look at my hand and say , " that man's a carpenter " 13 Alive or dead , thus ' branded with work ' , Sol is seen by the ...
Contenido
Introduction | 1 |
Production of Wessex | 35 |
Workfolk | 60 |
Derechos de autor | |
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Términos y frases comunes
activated aesthetic aesthetic ideology appears basis become believed called Capital century characters complex concept condition consciousness constitutes construction continuous contradiction course criticism culture determined discourse dominant effect English essential existence experience expression eyes face fact final forces function gaze hand Hardy's writing human idea idealizing ideological important individual intention Jude knowledge labour language literary Literature lives London material meaning namely nature novel object observed perceived perception philosophy point of view position practice present production progress radical reader reality reflection relations relationship represents reveals rural seen sense separation sight simply social society specific structure of perceptions suggests Tess things thinking Thomas Hardy thought tion tradition transformation true universal vision Wessex woman women workfolk wrote