Thomas Hardy, Towards a Materialist CriticismGill and Macmillan, 1985 - 233 páginas Challenging the generally accepted critical constructions of the novels of Thomas Hardy, this book explores the historical, social, aesthetic and ideological determinants of Hardy's novels. Analyzing the ways in which Hardy's writings have been variously reproduced in literary criticism to produce certain social and ideological effects. Wotton also discusses the relation between Hardy's writing and Hardy criticism. |
Dentro del libro
Resultados 1-3 de 31
Página 60
... intention to show how ' civilization ' was rapidly destroying local traditions , the writing produces a ' view ' of ideology which is not dependent on that intention . In other words , what Hardy wants the reader to see is not ...
... intention to show how ' civilization ' was rapidly destroying local traditions , the writing produces a ' view ' of ideology which is not dependent on that intention . In other words , what Hardy wants the reader to see is not ...
Página 81
... intention that these failures and the imaginary struggles they produce ( with which the readers become involved ... intention which constructs the reader as seer , the ideological problematic upon which that intention is based and the ...
... intention that these failures and the imaginary struggles they produce ( with which the readers become involved ... intention which constructs the reader as seer , the ideological problematic upon which that intention is based and the ...
Página 134
... intention . This effect works in such a way that the subjective empathy between reader and character so foregrounds the ' indivi- dual ' — the plight of Tess or Jude or Clym — that the aesthetic intention is obscured if not altogether ...
... intention . This effect works in such a way that the subjective empathy between reader and character so foregrounds the ' indivi- dual ' — the plight of Tess or Jude or Clym — that the aesthetic intention is obscured if not altogether ...
Contenido
Introduction | 1 |
Production of Wessex | 35 |
Workfolk | 60 |
Derechos de autor | |
Otras 10 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
aesthetic ideology aesthetic project appears Capital capitalist mode characters Christminster Clym community of labour conflict consciousness constitutes construction contradiction critical discourse culture determined discourse of aesthetic distracted gaze dominant Dorset effect Egdon English essential Eustacia existence expression F. R. Leavis Hand of Ethelberta Hardy's novels Hardy's women Hardy's writing human Ibid idea idealist idealizing vision ideological forms individual Jude Jude the Obscure language Leavis literary Literature London Louis Althusser Madding Crowd Marx material materialist criticism Mayor of Casterbridge Melbury mode of perception mode of production nature object perceived philosophy point of view production of Hardy's radical separation re)production reader realism reality relations of production relationship represents reproduced reveals sense sexual sight signifies society specific structure of perceptions Tess thinking world Thomas Hardy tion transformation unity universal wage labour Wessex woman workfolk writing produces writing's wrote