Thomas Hardy, Towards a Materialist CriticismGill and Macmillan, 1985 - 233 páginas Challenging the generally accepted critical constructions of the novels of Thomas Hardy, this book explores the historical, social, aesthetic and ideological determinants of Hardy's novels. Analyzing the ways in which Hardy's writings have been variously reproduced in literary criticism to produce certain social and ideological effects. Wotton also discusses the relation between Hardy's writing and Hardy criticism. |
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Página 57
... knowledge is not symbolic ; Marty and Giles are not ' wood spirits'.26 Theirs is the experiential know- ledge which comes of observation and practice , of skill and experience . It is the artisan's knowledge of his material , an ...
... knowledge is not symbolic ; Marty and Giles are not ' wood spirits'.26 Theirs is the experiential know- ledge which comes of observation and practice , of skill and experience . It is the artisan's knowledge of his material , an ...
Página 81
... knowledge is the ' unconscious ' experiential knowledge of the community of labour . As the structure of perceptions is a theoretical concept which is the product of materialist criticism not Hardy's writing , it is essential to make a ...
... knowledge is the ' unconscious ' experiential knowledge of the community of labour . As the structure of perceptions is a theoretical concept which is the product of materialist criticism not Hardy's writing , it is essential to make a ...
Página 156
... knowledge and it is comprised of two separate but related methods of treating the critical domain . The first approaches it from the point of view of the archaeologist . Here the writing constitutes the field of exploration and all the ...
... knowledge and it is comprised of two separate but related methods of treating the critical domain . The first approaches it from the point of view of the archaeologist . Here the writing constitutes the field of exploration and all the ...
Contenido
Introduction | 1 |
Production of Wessex | 35 |
Workfolk | 60 |
Derechos de autor | |
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Términos y frases comunes
activated aesthetic aesthetic ideology appears basis become believed called Capital century characters complex concept condition consciousness constitutes construction continuous contradiction course criticism culture determined discourse dominant effect English essential existence experience expression eyes face fact final forces function gaze hand Hardy's writing human idea idealizing ideological important individual intention Jude knowledge labour language literary Literature lives London material meaning namely nature novel object observed perceived perception philosophy point of view position practice present production progress radical reader reality reflection relations relationship represents reveals rural seen sense separation sight simply social society specific structure of perceptions suggests Tess things thinking Thomas Hardy thought tion tradition transformation true universal vision Wessex woman women workfolk wrote