Thomas Hardy, Towards a Materialist CriticismGill and Macmillan, 1985 - 233 páginas Challenging the generally accepted critical constructions of the novels of Thomas Hardy, this book explores the historical, social, aesthetic and ideological determinants of Hardy's novels. Analyzing the ways in which Hardy's writings have been variously reproduced in literary criticism to produce certain social and ideological effects. Wotton also discusses the relation between Hardy's writing and Hardy criticism. |
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Página 24
... namely , the separation of the direct producer from the means of production , that process which entailed the dispossession of the rural workers , their trans- formation into propertyless wage labourers , ' naked individuals ' . This ...
... namely , the separation of the direct producer from the means of production , that process which entailed the dispossession of the rural workers , their trans- formation into propertyless wage labourers , ' naked individuals ' . This ...
Página 28
... namely the Barbarians , a term which suggests a line of descent that stretches from Atilla to the Duke of Westminster . The ideological reflex of the class struggles in which the bourgeoisie was involved in the nineteenth century is ...
... namely the Barbarians , a term which suggests a line of descent that stretches from Atilla to the Duke of Westminster . The ideological reflex of the class struggles in which the bourgeoisie was involved in the nineteenth century is ...
Página 87
... namely that the artistic work is a totality , the creation of its author's consciousness , what follows is intentionally ' fragmented ' . This means that while exploring the relations between the aesthetic project of Hardy's writing and ...
... namely that the artistic work is a totality , the creation of its author's consciousness , what follows is intentionally ' fragmented ' . This means that while exploring the relations between the aesthetic project of Hardy's writing and ...
Contenido
Introduction | 1 |
Production of Wessex | 35 |
Workfolk | 60 |
Derechos de autor | |
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Términos y frases comunes
activated aesthetic aesthetic ideology appears basis become believed called Capital century characters complex concept condition consciousness constitutes construction continuous contradiction course criticism culture determined discourse dominant effect English essential existence experience expression eyes face fact final forces function gaze hand Hardy's writing human idea idealizing ideological important individual intention Jude knowledge labour language literary Literature lives London material meaning namely nature novel object observed perceived perception philosophy point of view position practice present production progress radical reader reality reflection relations relationship represents reveals rural seen sense separation sight simply social society specific structure of perceptions suggests Tess things thinking Thomas Hardy thought tion tradition transformation true universal vision Wessex woman women workfolk wrote