Thomas Hardy, Towards a Materialist CriticismGill and Macmillan, 1985 - 233 páginas Challenging the generally accepted critical constructions of the novels of Thomas Hardy, this book explores the historical, social, aesthetic and ideological determinants of Hardy's novels. Analyzing the ways in which Hardy's writings have been variously reproduced in literary criticism to produce certain social and ideological effects. Wotton also discusses the relation between Hardy's writing and Hardy criticism. |
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Página 40
... reflection , and Hardy would be merely the historian of these changes . Such views of Wessex emphasize the similarity , identity or coherence between writing and its historical moment . Similarly , if Wessex is perceived as ' the ...
... reflection , and Hardy would be merely the historian of these changes . Such views of Wessex emphasize the similarity , identity or coherence between writing and its historical moment . Similarly , if Wessex is perceived as ' the ...
Página 98
... reflection , a manifestation of the idealizing vision in which the subject sees in the real only a reflection of his own subjectivity . But in the conflicts of these contradictory visions the writing produces a powerful image of ...
... reflection , a manifestation of the idealizing vision in which the subject sees in the real only a reflection of his own subjectivity . But in the conflicts of these contradictory visions the writing produces a powerful image of ...
Página 117
... reflection of her own subjectivity . Even her desperate search for love is nothing but the self - reflexive quest for the conformation of her own being . She is blind to the realities of the world in which she lives because no matter ...
... reflection of her own subjectivity . Even her desperate search for love is nothing but the self - reflexive quest for the conformation of her own being . She is blind to the realities of the world in which she lives because no matter ...
Contenido
Introduction | 1 |
Production of Wessex | 35 |
Workfolk | 60 |
Derechos de autor | |
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activated aesthetic aesthetic ideology appears basis become believed called Capital century characters complex concept condition consciousness constitutes construction continuous contradiction course criticism culture determined discourse dominant effect English essential existence experience expression eyes face fact final forces function gaze hand Hardy's writing human idea idealizing ideological important individual intention Jude knowledge labour language literary Literature lives London material meaning namely nature novel object observed perceived perception philosophy point of view position practice present production progress radical reader reality reflection relations relationship represents reveals rural seen sense separation sight simply social society specific structure of perceptions suggests Tess things thinking Thomas Hardy thought tion tradition transformation true universal vision Wessex woman women workfolk wrote