Thomas Hardy, Towards a Materialist CriticismGill and Macmillan, 1985 - 233 páginas Challenging the generally accepted critical constructions of the novels of Thomas Hardy, this book explores the historical, social, aesthetic and ideological determinants of Hardy's novels. Analyzing the ways in which Hardy's writings have been variously reproduced in literary criticism to produce certain social and ideological effects. Wotton also discusses the relation between Hardy's writing and Hardy criticism. |
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Página 80
... vision , ( 3 ) the intuitive insight . ( 1 ) The distracted gaze signifies that ' faulty ' vision which takes the apparent ( what we see ) to be the real ( essential reality ) . This is a form of ' blindness ' in which things are what ...
... vision , ( 3 ) the intuitive insight . ( 1 ) The distracted gaze signifies that ' faulty ' vision which takes the apparent ( what we see ) to be the real ( essential reality ) . This is a form of ' blindness ' in which things are what ...
Página 96
... vision of Nature as force personified ; it is like the absolute and capriciously exercised power of the fuedal ... vision . As the rational / intellectual perception had been succeeded by the feeling / sensational , so that in its turn ...
... vision of Nature as force personified ; it is like the absolute and capriciously exercised power of the fuedal ... vision . As the rational / intellectual perception had been succeeded by the feeling / sensational , so that in its turn ...
Página 98
... vision which the writing is intended to produce . But the writing is not simply the bearer of its aesthetic intention . It is actually productive , not so much of meaning as of images of the ideological . The aesthetic project of this ...
... vision which the writing is intended to produce . But the writing is not simply the bearer of its aesthetic intention . It is actually productive , not so much of meaning as of images of the ideological . The aesthetic project of this ...
Contenido
Introduction | 1 |
Production of Wessex | 35 |
Workfolk | 60 |
Derechos de autor | |
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activated aesthetic aesthetic ideology appears basis become believed called Capital century characters complex concept condition consciousness constitutes construction continuous contradiction course criticism culture determined discourse dominant effect English essential existence experience expression eyes face fact final forces function gaze hand Hardy's writing human idea idealizing ideological important individual intention Jude knowledge labour language literary Literature lives London material meaning namely nature novel object observed perceived perception philosophy point of view position practice present production progress radical reader reality reflection relations relationship represents reveals rural seen sense separation sight simply social society specific structure of perceptions suggests Tess things thinking Thomas Hardy thought tion tradition transformation true universal vision Wessex woman women workfolk wrote