Thomas Hardy, Towards a Materialist CriticismGill and Macmillan, 1985 - 233 páginas Challenging the generally accepted critical constructions of the novels of Thomas Hardy, this book explores the historical, social, aesthetic and ideological determinants of Hardy's novels. Analyzing the ways in which Hardy's writings have been variously reproduced in literary criticism to produce certain social and ideological effects. Wotton also discusses the relation between Hardy's writing and Hardy criticism. |
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Página 65
... workfolk throw off the impositions of sobriety and respectability in a spontaneous rebellion against social order in which anyone who partakes becomes involved . In that ' thumping state of uproar ' of the wild dance in Under the ...
... workfolk throw off the impositions of sobriety and respectability in a spontaneous rebellion against social order in which anyone who partakes becomes involved . In that ' thumping state of uproar ' of the wild dance in Under the ...
Página 67
... workfolk the material needs of the quick come before the spiritual needs of the dead . Coney's action signifies not dis- respect for Mrs Henchard , for she is dead and gone , but a denial of the ' respectable ' which always seeks to ...
... workfolk the material needs of the quick come before the spiritual needs of the dead . Coney's action signifies not dis- respect for Mrs Henchard , for she is dead and gone , but a denial of the ' respectable ' which always seeks to ...
Página 190
... workfolk is not consistent and this inconsistency is the book's ( Far from the Madding Crowd ) ' main fault ' , a view with which another critic agreed claiming that because the workfolk's conversations were ' inauthentic ' the reality ...
... workfolk is not consistent and this inconsistency is the book's ( Far from the Madding Crowd ) ' main fault ' , a view with which another critic agreed claiming that because the workfolk's conversations were ' inauthentic ' the reality ...
Contenido
Introduction | 1 |
Production of Wessex | 35 |
Workfolk | 60 |
Derechos de autor | |
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Términos y frases comunes
aesthetic ideology aesthetic project appears Capital capitalist mode characters Christminster Clym community of labour conflict consciousness constitutes construction contradiction critical discourse culture determined discourse of aesthetic distracted gaze dominant Dorset effect Egdon English essential Eustacia existence expression F. R. Leavis Hand of Ethelberta Hardy's novels Hardy's women Hardy's writing human Ibid idea idealist idealizing vision ideological forms individual Jude Jude the Obscure language Leavis literary Literature London Louis Althusser Madding Crowd Marx material materialist criticism Mayor of Casterbridge Melbury mode of perception mode of production nature object perceived philosophy point of view production of Hardy's radical separation re)production reader realism reality relations of production relationship represents reproduced reveals sense sexual sight signifies society specific structure of perceptions Tess thinking world Thomas Hardy tion transformation unity universal wage labour Wessex woman workfolk writing produces writing's wrote