Thomas Hardy, Towards a Materialist CriticismGill and Macmillan, 1985 - 233 páginas Challenging the generally accepted critical constructions of the novels of Thomas Hardy, this book explores the historical, social, aesthetic and ideological determinants of Hardy's novels. Analyzing the ways in which Hardy's writings have been variously reproduced in literary criticism to produce certain social and ideological effects. Wotton also discusses the relation between Hardy's writing and Hardy criticism. |
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Página 65
... workfolk throw off the impositions of sobriety and respectability in a spontaneous rebellion against social order in which anyone who partakes becomes involved . In that ' thumping state of uproar ' of the wild dance in Under the ...
... workfolk throw off the impositions of sobriety and respectability in a spontaneous rebellion against social order in which anyone who partakes becomes involved . In that ' thumping state of uproar ' of the wild dance in Under the ...
Página 67
... workfolk the material needs of the quick come before the spiritual needs of the dead . Coney's action signifies not dis- respect for Mrs Henchard , for she is dead and gone , but a denial of the ' respectable ' which always seeks to ...
... workfolk the material needs of the quick come before the spiritual needs of the dead . Coney's action signifies not dis- respect for Mrs Henchard , for she is dead and gone , but a denial of the ' respectable ' which always seeks to ...
Página 190
... workfolk is not consistent and this inconsistency is the book's ( Far from the Madding Crowd ) ' main fault ' , a view with which another critic agreed claiming that because the workfolk's conversations were ' inauthentic ' the reality ...
... workfolk is not consistent and this inconsistency is the book's ( Far from the Madding Crowd ) ' main fault ' , a view with which another critic agreed claiming that because the workfolk's conversations were ' inauthentic ' the reality ...
Contenido
Introduction | 1 |
Production of Wessex | 35 |
Workfolk | 60 |
Derechos de autor | |
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Términos y frases comunes
activated aesthetic aesthetic ideology appears basis become believed called Capital century characters complex concept condition consciousness constitutes construction continuous contradiction course criticism culture determined discourse dominant effect English essential existence experience expression eyes face fact final forces function gaze hand Hardy's writing human idea idealizing ideological important individual intention Jude knowledge labour language literary Literature lives London material meaning namely nature novel object observed perceived perception philosophy point of view position practice present production progress radical reader reality reflection relations relationship represents reveals rural seen sense separation sight simply social society specific structure of perceptions suggests Tess things thinking Thomas Hardy thought tion tradition transformation true universal vision Wessex woman women workfolk wrote