Thomas Hardy, Towards a Materialist CriticismGill and Macmillan, 1985 - 233 páginas Challenging the generally accepted critical constructions of the novels of Thomas Hardy, this book explores the historical, social, aesthetic and ideological determinants of Hardy's novels. Analyzing the ways in which Hardy's writings have been variously reproduced in literary criticism to produce certain social and ideological effects. Wotton also discusses the relation between Hardy's writing and Hardy criticism. |
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Página 30
... wrote Malthus , ' a degree of misery is the necessary and inevitable result of the laws of nature ' which human institutions could ' mitigate but never remove ' . 14 And half a century later when the industrial bourgeoisie , brimming ...
... wrote Malthus , ' a degree of misery is the necessary and inevitable result of the laws of nature ' which human institutions could ' mitigate but never remove ' . 14 And half a century later when the industrial bourgeoisie , brimming ...
Página 79
... wrote , ' is realism ... reached by what Matthew Arnold calls " the imaginative reason " and he defined his own art as the attempt to ' intensify the expression of things ... so that the heart and inner meaning is made vividly visible ...
... wrote , ' is realism ... reached by what Matthew Arnold calls " the imaginative reason " and he defined his own art as the attempt to ' intensify the expression of things ... so that the heart and inner meaning is made vividly visible ...
Página 190
... wrote that ' almost all the labourers ... talk in a peculiar style , deeply infiltrated with the suggestions of a kind of moral irony mostly borrowed , no doubt , from the study of the Bible , but still applied in a manner in which ...
... wrote that ' almost all the labourers ... talk in a peculiar style , deeply infiltrated with the suggestions of a kind of moral irony mostly borrowed , no doubt , from the study of the Bible , but still applied in a manner in which ...
Contenido
Introduction | 1 |
Production of Wessex | 35 |
Workfolk | 60 |
Derechos de autor | |
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Términos y frases comunes
activated aesthetic aesthetic ideology appears basis become believed called Capital century characters complex concept condition consciousness constitutes construction continuous contradiction course criticism culture determined discourse dominant effect English essential existence experience expression eyes face fact final forces function gaze hand Hardy's writing human idea idealizing ideological important individual intention Jude knowledge labour language literary Literature lives London material meaning namely nature novel object observed perceived perception philosophy point of view position practice present production progress radical reader reality reflection relations relationship represents reveals rural seen sense separation sight simply social society specific structure of perceptions suggests Tess things thinking Thomas Hardy thought tion tradition transformation true universal vision Wessex woman women workfolk wrote