English Critical Essays (nineteenth Century)Edmund David Jones H. Milford, Oxford University Press, 1924 - 610 páginas |
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... Shakespeare , Considered with Reference to their Fitness for Stage Repre- sentation . ( 1811 ) • PERCY BYSSHE SHELLEY , 1792-1822 A Defence of Poetry . ( 1821 ) . WILLIAM HAZLITT , 1778-1830 PAGE 1 40 57 ཐཅ 85 95 120 My First ...
... Shakespeare , Considered with Reference to their Fitness for Stage Repre- sentation . ( 1811 ) • PERCY BYSSHE SHELLEY , 1792-1822 A Defence of Poetry . ( 1821 ) . WILLIAM HAZLITT , 1778-1830 PAGE 1 40 57 ཐཅ 85 95 120 My First ...
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... ( 1866 ) . RALPH WALDO EMERSON , 1803-1882 Shakespeare ; or , the Poet . ( 1850 ) JAMES RUSSELL LOWELL , 1819-1891 Wordsworth . ( 1875 ) · 398 430 492 535 558 WILLIAM WORDSWORTH 1770-1850 POETRY AND POETIC DICTION [ Preface to viii CONTENTS.
... ( 1866 ) . RALPH WALDO EMERSON , 1803-1882 Shakespeare ; or , the Poet . ( 1850 ) JAMES RUSSELL LOWELL , 1819-1891 Wordsworth . ( 1875 ) · 398 430 492 535 558 WILLIAM WORDSWORTH 1770-1850 POETRY AND POETIC DICTION [ Preface to viii CONTENTS.
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... themselves . The invaluable works of our elder writers , I had almost said the works of Shakespeare and Milton , are driven into neglect 7 by frantic novels , sickly and stupid German Tragedies , POETRY AND POETIC DICTION 7.
... themselves . The invaluable works of our elder writers , I had almost said the works of Shakespeare and Milton , are driven into neglect 7 by frantic novels , sickly and stupid German Tragedies , POETRY AND POETIC DICTION 7.
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... Shakespeare's writings , in the most pathetic scenes , never act upon us , as pathetic , beyond the bounds of pleasure - an effect which , in a much greater degree than might at first be imagined , is to be ascribed to small , but ...
... Shakespeare's writings , in the most pathetic scenes , never act upon us , as pathetic , beyond the bounds of pleasure - an effect which , in a much greater degree than might at first be imagined , is to be ascribed to small , but ...
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... Shakespeare's Romeo and Juliet alone prevents me from extending the remark even to dramatic poetry , if indeed even the Nurse itself can be deemed altogether a case in point - it is not possible to imitate truly a dull and garrulous dis ...
... Shakespeare's Romeo and Juliet alone prevents me from extending the remark even to dramatic poetry , if indeed even the Nurse itself can be deemed altogether a case in point - it is not possible to imitate truly a dull and garrulous dis ...
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Términos y frases comunes
action Aeschylus artist beauty become Ben Jonson called character charm Chaucer Coleridge Coleridge's colour composition criticism Dante delight distinction divine drama effect emotion excellence excitement expression fact faculty Faerie Queene fancy feeling genius give Goethe Grasmere Greek Hamlet heart heaven highest human idea images imagination imitation impression instance intellectual judgement kind language less literature living look Lyrical Ballads Macbeth manner means metre metrical Milton mind modern moral nature never object Orlando Furioso Othello painting Paradise Lost passion pathetic fallacy peculiar perfect perhaps person Petrarch philosopher pleasure poem poet poet's poetical poetry present Priam principle produced prose reader reason rhyme sacred sacred poet seems sense Shakespeare sort soul speak Spenser spirit stanza style sympathy taste things thought tion tragedy true truth uncon verse whole William Wordsworth words Wordsworth write
Pasajes populares
Página 332 - A man so various, that he seemed to be Not one, but all mankind's epitome : Stiff in opinions, always in the wrong, Was everything by starts, and nothing long; But, in the course of one revolving moon, Was chemist, fiddler, statesman, and buffoon ; Then all for women, painting, rhyming, drinking, Besides ten thousand freaks that died in thinking.
Página 337 - Favours to none, to all she smiles extends ; Oft she rejects, but never once offends. Bright as the sun, her eyes the gazers strike, And, like the sun, they shine on all alike. Yet graceful ease, and sweetness void of pride...
Página 122 - Poets, according to the circumstances of the age and nation in which they appeared, were called, in the earlier epochs of the world, legislators, or prophets : a poet essentially comprises and unites both these characters. For he not only beholds intensely the present as it is, and discovers those laws according to which present things ought to be ordered, but he beholds the future in the present, and his thoughts are the germs of the flower and the fruit of latest time.
Página 65 - Yet nature is made better by no mean But nature makes that mean; so over that art, Which you say adds to nature, is an art That nature makes. You see, sweet maid, we marry A gentler scion to the wildest stock, And make conceive a bark of baser kind By bud of nobler race. This is an art Which does mend nature — change it rather; but The art itself is nature.
Página 332 - Blest madman ! who could every hour employ With something new to wish or to enjoy! Railing and praising were his usual themes, And both (to show his judgment) in extremes; So over violent, or over civil, That every man, with him, was God or devil.
Página 130 - Poetry strengthens the faculty which is the organ of the moral nature of man in ^the same manner as exercise strengthens a limb. A poet therefore would do ill to embody his own conceptions of right and wrong, which are usually those of his place and time, in his poetical creations, which participate in neither.
Página 110 - ... from the ordinary purposes of life, but exerting its powers, as the wind blows where it listeth, at will upon the corruptions and abuses of mankind. What have looks or tones to do with that sublime identification of his age with that of the heavens themselves, when, in his reproaches to them for conniving at the injustice of his children, he reminds them that
Página 487 - To their fathers and mothers having risen Out of some subterraneous prison Into which they were trepanned Long time ago in a mighty band Out of Hamelin town in Brunswick land, But how or why, they don't understand.
Página 47 - Humble and rustic life was generally chosen because in that condition the essential passions of the heart find a better soil in which they can attain their maturity, are less under restraint, and speak a plainer and more emphatic language...
Página 130 - The great secret of morals is love ; or a going out of our own nature, and an identification of ourselves with the beautiful which 30 exists in thought, action, or person, not our own.