English Critical Essays (nineteenth Century)Edmund David Jones H. Milford, Oxford University Press, 1924 - 610 páginas |
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Página 8
... style , in order , among other reasons , that he may not censure me for not having performed what I never attempted . The Reader will find that personifications of abstract ideas rarely occur in these volumes ; and are utterly rejected ...
... style , in order , among other reasons , that he may not censure me for not having performed what I never attempted . The Reader will find that personifications of abstract ideas rarely occur in these volumes ; and are utterly rejected ...
Página 9
... style in which it was my wish and intention to write , than by informing him that I have at all times endeavoured to look steadily at my subject ; consequently , there is I hope in these Poems little falsehood of description , and my ...
... style in which it was my wish and intention to write , than by informing him that I have at all times endeavoured to look steadily at my subject ; consequently , there is I hope in these Poems little falsehood of description , and my ...
Página 13
... style , or any of its supposed ornaments for , if the Poet's subject be judiciously chosen , it will naturally , and upon fit occasion , lead him to passions the language of which , if selected truly and judiciously , must necessarily ...
... style , or any of its supposed ornaments for , if the Poet's subject be judiciously chosen , it will naturally , and upon fit occasion , lead him to passions the language of which , if selected truly and judiciously , must necessarily ...
Página 23
... style with which metre is usually accompanied , and that , by such deviation , more will be lost from the shock which will thereby be given to the Reader's associations than will be counter- balanced by any pleasure which he can derive ...
... style with which metre is usually accompanied , and that , by such deviation , more will be lost from the shock which will thereby be given to the Reader's associations than will be counter- balanced by any pleasure which he can derive ...
Página 24
... style is manly , and the subject of some importance , words metrically arranged will long continue to impart such a pleasure to mankind as he who proves the extent of that pleasure will be desirous to impart . The end of Poetry is to ...
... style is manly , and the subject of some importance , words metrically arranged will long continue to impart such a pleasure to mankind as he who proves the extent of that pleasure will be desirous to impart . The end of Poetry is to ...
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Términos y frases comunes
action Aeschylus artist beauty become Ben Jonson called character charm Chaucer Coleridge Coleridge's colour composition criticism Dante delight distinction divine drama effect emotion excellence excitement expression fact faculty Faerie Queene fancy feeling genius give Goethe Grasmere Greek Hamlet heart heaven highest human idea images imagination imitation impression instance intellectual judgement kind language less literature living look Lyrical Ballads Macbeth manner means metre metrical Milton mind modern moral nature never object Orlando Furioso Othello painting Paradise Lost passion pathetic fallacy peculiar perfect perhaps person Petrarch philosopher pleasure poem poet poet's poetical poetry present Priam principle produced prose reader reason rhyme sacred sacred poet seems sense Shakespeare sort soul speak Spenser spirit stanza style sympathy taste things thought tion tragedy true truth uncon verse whole William Wordsworth words Wordsworth write
Pasajes populares
Página 332 - A man so various, that he seemed to be Not one, but all mankind's epitome : Stiff in opinions, always in the wrong, Was everything by starts, and nothing long; But, in the course of one revolving moon, Was chemist, fiddler, statesman, and buffoon ; Then all for women, painting, rhyming, drinking, Besides ten thousand freaks that died in thinking.
Página 337 - Favours to none, to all she smiles extends ; Oft she rejects, but never once offends. Bright as the sun, her eyes the gazers strike, And, like the sun, they shine on all alike. Yet graceful ease, and sweetness void of pride...
Página 122 - Poets, according to the circumstances of the age and nation in which they appeared, were called, in the earlier epochs of the world, legislators, or prophets : a poet essentially comprises and unites both these characters. For he not only beholds intensely the present as it is, and discovers those laws according to which present things ought to be ordered, but he beholds the future in the present, and his thoughts are the germs of the flower and the fruit of latest time.
Página 65 - Yet nature is made better by no mean But nature makes that mean; so over that art, Which you say adds to nature, is an art That nature makes. You see, sweet maid, we marry A gentler scion to the wildest stock, And make conceive a bark of baser kind By bud of nobler race. This is an art Which does mend nature — change it rather; but The art itself is nature.
Página 332 - Blest madman ! who could every hour employ With something new to wish or to enjoy! Railing and praising were his usual themes, And both (to show his judgment) in extremes; So over violent, or over civil, That every man, with him, was God or devil.
Página 130 - Poetry strengthens the faculty which is the organ of the moral nature of man in ^the same manner as exercise strengthens a limb. A poet therefore would do ill to embody his own conceptions of right and wrong, which are usually those of his place and time, in his poetical creations, which participate in neither.
Página 110 - ... from the ordinary purposes of life, but exerting its powers, as the wind blows where it listeth, at will upon the corruptions and abuses of mankind. What have looks or tones to do with that sublime identification of his age with that of the heavens themselves, when, in his reproaches to them for conniving at the injustice of his children, he reminds them that
Página 487 - To their fathers and mothers having risen Out of some subterraneous prison Into which they were trepanned Long time ago in a mighty band Out of Hamelin town in Brunswick land, But how or why, they don't understand.
Página 47 - Humble and rustic life was generally chosen because in that condition the essential passions of the heart find a better soil in which they can attain their maturity, are less under restraint, and speak a plainer and more emphatic language...
Página 130 - The great secret of morals is love ; or a going out of our own nature, and an identification of ourselves with the beautiful which 30 exists in thought, action, or person, not our own.