Romantic Poems, Poets, and NarratorsKent State University Press, 2000 - 203 páginas Romantic Poems, Poets, and Narrators will be valuable to specialists not only in romantic period studies but in literary theory and poetics as well. Students of Blake, Coleridge, Wordsworth, and Keats will appreciate these refreshingly subtle, tactful, and convincing new readings of the major romantic poems. The book is a scholarly and engaging guide to the various and complex discourses--formalist, psychoanalytic, deconstructive, new historicist--that have provided the terms in which these poems have been and currently are received. |
Dentro del libro
Resultados 1-5 de 66
Página 6
... example of the interpretive use of literary history on a less social and economic level than that on which many historicists currently work . This older kind of historicism gets short shrift from theorists , perhaps because in 6 ...
... example of the interpretive use of literary history on a less social and economic level than that on which many historicists currently work . This older kind of historicism gets short shrift from theorists , perhaps because in 6 ...
Página 9
... example takes us outside Romantic poetry altogether , to Brooks's reading of Marvell's " Horatian Ode . ” Arguing that " the tension between the speaker's admiration for the kingliness which has won Cromwell the power and his awareness ...
... example takes us outside Romantic poetry altogether , to Brooks's reading of Marvell's " Horatian Ode . ” Arguing that " the tension between the speaker's admiration for the kingliness which has won Cromwell the power and his awareness ...
Página 10
... example above is rare , but implicitly , by in effect admitting this flexibility whenever that practice oscillates ( or vacillates ) between " the poet " and " the speaker " as its text's speaking subject . Indeed the same implicit ...
... example above is rare , but implicitly , by in effect admitting this flexibility whenever that practice oscillates ( or vacillates ) between " the poet " and " the speaker " as its text's speaking subject . Indeed the same implicit ...
Página 15
Lo sentimos, el contenido de esta página está restringido..
Lo sentimos, el contenido de esta página está restringido..
Página 18
Lo sentimos, el contenido de esta página está restringido..
Lo sentimos, el contenido de esta página está restringido..
Contenido
Introduction to the Songs of Experience The Infection of Time | 12 |
The Rime of the Ancient Mariner Distinguishing the Certain from the Uncertain | 34 |
The Prelude Still Something to Pursue | 65 |
The Intimations Ode An Infinite Complexity | 88 |
Lamia Attitude Is Every Thing | 110 |
Conclusion | 137 |
Notes | 153 |
185 | |
199 | |
Términos y frases comunes
aesthetic ambiguity Ancient Mariner Apollonius argues argument awareness Bailey Bard Bard's believe Blake Bloom characterizes claim coherence Coleridge Coleridge's complex consciousness context critical cultural Dacier deconstructive desire discourse dream eighteenth-century emphasis added ence episode example fantasy formalist genre gloss glossator historicism historicist human imagination implies intention interpretation Intimations Ode John Keats Keats Keats's Lacan Lamia language latent content least limits literary Lycius lyric Lyrical Ballads Mariner's experience mastery McGann meaning metaphoric mind moral narrative narrator narrator's nature Neoplatonic Oxford philosophical Platonic Platonic shades poem poem's poet's poetic poetry Prelude primary process problem prophetic psychic psychoanalytic Reader-Response Criticism readers reflect relation rhetoric Rime Romantic poets Romanticism seems self-consciousness sense Simplon Pass Songs of Experience speaker stanzas sublime suggests textual theory Tintern Abbey tion transcendent truth understanding vision Warren William Blake William Wordsworth words Wordsworth York