Romantic Poems, Poets, and NarratorsKent State University Press, 2000 - 203 páginas Romantic Poems, Poets, and Narrators will be valuable to specialists not only in romantic period studies but in literary theory and poetics as well. Students of Blake, Coleridge, Wordsworth, and Keats will appreciate these refreshingly subtle, tactful, and convincing new readings of the major romantic poems. The book is a scholarly and engaging guide to the various and complex discourses--formalist, psychoanalytic, deconstructive, new historicist--that have provided the terms in which these poems have been and currently are received. |
Dentro del libro
Resultados 1-5 de 90
Página 1
... readers and interpreters , " then more is at stake than the history of criticism . ' Throughout this book I shall be rep- resenting these relations in terms very different than those deriving from , as Chris Baldick puts it , " market ...
... readers and interpreters , " then more is at stake than the history of criticism . ' Throughout this book I shall be rep- resenting these relations in terms very different than those deriving from , as Chris Baldick puts it , " market ...
Página 2
... readers who , wherever they situate themselves in relation to this split , are at least un- easy if not deeply unhappy about its existence . The major Romantic poets often seem to claim their own sort of domination , in the form of ...
... readers who , wherever they situate themselves in relation to this split , are at least un- easy if not deeply unhappy about its existence . The major Romantic poets often seem to claim their own sort of domination , in the form of ...
Página 3
... readers are like textual subjects , so that as a reader of Romantic texts I shall inevitably encounter limits to my understanding of those texts . A primary , recurrent argument in this book is against the usually implicit claim of ...
... readers are like textual subjects , so that as a reader of Romantic texts I shall inevitably encounter limits to my understanding of those texts . A primary , recurrent argument in this book is against the usually implicit claim of ...
Página 4
... readers . The poem is both intertextual and reader directed , and by way of its biblical allusions it offers us two incompatible readings of the bard's understanding of himself and his message . One reading takes the vision of the bard ...
... readers . The poem is both intertextual and reader directed , and by way of its biblical allusions it offers us two incompatible readings of the bard's understanding of himself and his message . One reading takes the vision of the bard ...
Página 5
... reading , also inadequate . The desire of modern readers to achieve a similar mastery usually takes the form of oversimplifying the Mariner , as well as Coleridge's relation to him . I outline that desire , especially as it appears in ...
... reading , also inadequate . The desire of modern readers to achieve a similar mastery usually takes the form of oversimplifying the Mariner , as well as Coleridge's relation to him . I outline that desire , especially as it appears in ...
Contenido
Introduction to the Songs of Experience The Infection of Time | 12 |
The Rime of the Ancient Mariner Distinguishing the Certain from the Uncertain | 34 |
The Prelude Still Something to Pursue | 65 |
The Intimations Ode An Infinite Complexity | 88 |
Lamia Attitude Is Every Thing | 110 |
Conclusion | 137 |
Notes | 153 |
185 | |
199 | |
Términos y frases comunes
aesthetic ambiguity Ancient Mariner Apollonius argues argument awareness Bailey Bard Bard's believe Blake Bloom characterizes claim coherence Coleridge Coleridge's complex consciousness context critical cultural Dacier deconstructive desire discourse dream eighteenth-century emphasis added ence episode example fantasy formalist genre gloss glossator historicism historicist human imagination implies intention interpretation Intimations Ode John Keats Keats Keats's Lacan Lamia language latent content least limits literary Lycius lyric Lyrical Ballads Mariner's experience mastery McGann meaning metaphoric mind moral narrative narrator narrator's nature Neoplatonic Oxford philosophical Platonic Platonic shades poem poem's poet's poetic poetry Prelude primary process problem prophetic psychic psychoanalytic Reader-Response Criticism readers reflect relation rhetoric Rime Romantic poets Romanticism seems self-consciousness sense Simplon Pass Songs of Experience speaker stanzas sublime suggests textual theory Tintern Abbey tion transcendent truth understanding vision Warren William Blake William Wordsworth words Wordsworth York