something better that makes him able to shock us so with what in too many respects he unhappily was. Less gifted, he had been less hardly judged. More than any other of the sentimentalists, except possibly Sterne, he had in him a staple of sincerity. Compared with Châteaubriand, he is honesty, compared with Lamartine, he is manliness itself. His nearest congener in our own tongue is Cowper.

In the whole school there is a sickly taint. The strongest mark which Rousseau has left upon literature is a sensibility to the picturesque in Nature, not with Nature as a strengthener and consoler, a wholesome tonic for a mind ill at ease with itself, but with Nature as a kind of feminine echo to the mood, flattering it with sympathy rather than correcting it with rebuke or lifting it away from its unmanly depression, as in the wholesomer fellow-feeling of Wordsworth. They seek in her an accessory, and not a reproof. It is less a sympathy with Nature than a sympathy with ourselves as we compel her to reflect us. It is solitude, Nature for her estrangement from man, not for her companionship with him-it is desolation and ruin, Nature as she has triumphed over man-with which this order of mind seeks communion, and in which it finds solace. It is with the hostile and destructive power of matter, and not with the spirit of life and renewal that dwells in it, that they ally themselves. And in human character it is the same. St. Preux, René, Werther, Manfred, Quasimodo-they are all anomalies, distortions, ruins; so much easier is it to caricature life from our own sickly conception of it, than to paint it in its noble simplicity; so much cheaper is unreality than truth.

Every man is conscious that he leads two lives-the one trivial and ordinary, the other sacred and recluse; one which he carries to society and the dinner-table, the other in which his youth and aspiration survive for him, and which is a confidence between himself and God. Both may be equally sincere, and there need be no contradiction between them, any more than in a healthy man between soul and body. If the higher life be real and earnest, its result, whether in literature or affairs, will

be real and earnest too. But no man can produce great things who is not thoroughly sincere in dealing with himself, who would not exchange the finest show for the poorest reality, who does not so love his work that he is not only glad to give himself for it, but finds rather a gain than a sacrifice in the surrender. The sentimentalist does not think of what he does so much as of what the world will think of what he does. He translates should into would, looks upon the spheres of duty and beauty as alien to each other, and can never learn how life rounds itself to a noble completeness between these two opposite but mutually sustaining poles of what we long for and what we must.

Did Rousseau, then, lead a life of this quality? Perhaps, when we consider the contrast which every man who looks backward must feel between the life he planned and the life which circumstance within him and without him has made for him, we should rather ask, Was this the life he meant to lead? Perhaps, when we take into account his faculty of self-deception -it may be no greater than our own-we should ask, Was this the life he believed he led? Have we any right to judge this man after our blunt English fashion, and condemn him, as we are wont to do, on the finding of a jury of average householders? Is French reality precisely our reality? Could we tolerate tragedy in rhymed alexandrines, instead of blank verse? The whole life of Rousseau is pitched on this heroic key, and for the most trivial occasion he must be ready with the sublime sentiments that are supposed to suit him rather than it. It is one of the most curious features of the sentimental ailment, that, while it shuns the contact of men, it courts publicity. In proportion as solitude and communion with self lead the sentimentalist to exaggerate the importance of his own personality, he comes to think that the least event connected with it is of consequence to his fellow-men. If he change his shirt, he would have mankind aware of it. Victor Hugo, the greatest living representative of the class, considers it necessary to let the world know by letter from time to time his opinions on every conceivable subject about which it is not asked nor is of

the least value unless we concede to him an immediate inspiration. We men of colder blood, in whom self-consciousness takes the form of pride, and who have deified mauvaise honte as if our defect were our virtue, find it especially hard to understand that artistic impulse of more southern races to pose themselves properly on every occasion, and not even to die without some tribute of deference to the taste of the world they are leaving. Was not even mighty Cæsar's last thought of his drapery? Let us not condemn Rousseau for what seems to us the indecent exposure of himself in his Confessions.

Those who allow an oratorical and purely conventional side disconnected with our private understanding of the facts, and with life, in which everything has a wholly parliamentary sense where truth is made subservient to the momentary exigencies of eloquence, should be charitable to Rousseau. While we encourage a distinction which establishes two kinds of truth, one for the world, and another for the conscience, while we take pleasure in a kind of speech that has no relation to the real thought of speaker or hearer, but to the rostrum only, we must not be hasty to condemn a sentimentalism which we do our best to foster. We listen in public with the gravity of augurs to what we smile at when we meet a brother adept. France is the native land of eulogy, of truth padded out to the size and shape demanded by comme-il-faut. The French Academy has, perhaps, done more harm by the vogue it has given to this style, than it has done good by its literary purism; for the best purity of a language depends on the limpidity of its source in veracity of thought. Rousseau was in many respects a typical Frenchman, and it is not to be wondered at if he too often fell in with the fashion of saying what was expected of him, and what he thought due to the situation, rather than what would have been true to his inmost consciousness. Perhaps we should allow something also to the influence of a Calvinistic training, which certainly helps men who have the least natural tendency towards it to set faith above works, and to persuade themselves of the efficacy of an inward grace to offset an outward and visible defection from it.

As the sentimentalist always takes a fanciful, sometimes an unreal, life for an ideal one, it would be too much to say that Rousseau was a man of earnest convictions. But he was a man of fitfully intense ones, as suited so mobile a temperament, and his writings, more than those of any other of his tribe, carry with them that persuasion that was in him while he wrote. In them at least he is as consistent as a man who admits new ideas can ever be. The children of his brain he never abandoned, but clung to them with paternal fidelity. Intellectually he was true and fearless; constitutionally, timid, contradictory, and weak; but never, if we understand him rightly, false. He was a little too credulous of sonorous sentiment, but he was never, like Châteaubriand or Lamartine, the lackey of fine phrases. If, as some fanciful physiologists have assumed, there be a masculine and feminine lobe of the brain, it would seem that in men of sentimental turn the masculine half fell in love with and made an idol of the other, obeying and admiring all the pretty whims of this folle du logis. In Rousseau the mistress had some noble elements of character, and less taint of the demi-monde than is visible in more recent cases of the same illicit relation.

Printed by WALTER SCOTT, Felling, Newcastle-upon-Tyne.