The Art of Elocution: From the Simple Articulation of the Elemental Sounds of Language, Up to the Highest Tone of Expression in Speech, Attainable by the Human VoiceSampson, Low, 1846 - 383 páginas |
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Página iv
... characters , well calculated to assist the learner . Its selections of examples in prose and verse are excellent , and the arrangement very good . " — Rochester Daily American . " A second edition of Mr. Vandenhoff's admirable work on ...
... characters , well calculated to assist the learner . Its selections of examples in prose and verse are excellent , and the arrangement very good . " — Rochester Daily American . " A second edition of Mr. Vandenhoff's admirable work on ...
Página 38
... character of the sound of this sign , as in the above examples , is clearly diphthongal , though its elements are difficult to trace with exactitude ; perhaps its radical is a , its vanish o . This sign is also frequently mute in its ...
... character of the sound of this sign , as in the above examples , is clearly diphthongal , though its elements are difficult to trace with exactitude ; perhaps its radical is a , its vanish o . This sign is also frequently mute in its ...
Página 39
... character of W and Y. AI . — This diphthong is composed of a and i , as in pain , ail , which are distinguishable to a fine ear from the pure tonic in ale , pane , & c .; but the distinction is really very slight - still it exists . 4 4 ...
... character of W and Y. AI . — This diphthong is composed of a and i , as in pain , ail , which are distinguishable to a fine ear from the pure tonic in ale , pane , & c .; but the distinction is really very slight - still it exists . 4 4 ...
Página 86
... character of the emphasis . But , first , it is proper to observe here the distinc- tion between our language and that of the Greeks and Romans , who measured the march of their lan- guage by quantity , of long - or short syllables ...
... character of the emphasis . But , first , it is proper to observe here the distinc- tion between our language and that of the Greeks and Romans , who measured the march of their lan- guage by quantity , of long - or short syllables ...
Página 96
... character of Milton was peculiarly distin- guished by loftiness of thought ; that of Dante by in- tensity of feeling . In every line of the Divine Comedy we discern the asperity which is produced by pride struggling with misery . There ...
... character of Milton was peculiarly distin- guished by loftiness of thought ; that of Dante by in- tensity of feeling . In every line of the Divine Comedy we discern the asperity which is produced by pride struggling with misery . There ...
Otras ediciones - Ver todas
The Art of Elocution: From the Simple Articulation of the Elemental Sounds ... George Vanderhoff Sin vista previa disponible - 2015 |
Términos y frases comunes
accelerando accented ADRASTUS antithesis arms articulation beauty blood breath Brutus Cæsar Cassius character Christian close common compound inflections dark death delivery diphthongal distinct doth ducats earth elementary sounds emphasis of force emphasis of sense EXAMPLES exercise expression falling inflection feeling gesture give Godfrey of Bouillon grace hand Harfleur hath heard heart heaven Helon high pitch honor hope human voice Intonation king language light live Lochinvar Lord marked MEDON melody ment mercy middle pause middle pitch mind nature Netherby never noble o'er orator passage passion perfect practice presto pronominal phrase prose prosodial quired reading rhythm rising inflection Roche Rome rules sentence Shylock simple solemn soul speak speaker speech spirit style syllables system of Elocution thee thought tion tone tonic sound utterance Vandenhoff's Venice verse voice vowel weep word