The Agony of Modern MusicSimon and Schuster, 1955 - 180 páginas |
Contenido
THE RIDDLE OF MODERN MUSIC | 3 |
THE COMPOSER AND SOCIETY | 12 |
THE COMPOSER AND HIS AUDIENCE | 26 |
Derechos de autor | |
Otras 11 secciones no mostradas
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Términos y frases comunes
accepted achieved Aïda Arthur Honegger artist atonality audience Bach Bartok Beethoven Berlioz Brahms Bruckner CALIFORNIA Berkeley Berkeley CALIFORNIA LIBRARY Chopin chords composer's composition concept of rhythm conductor contemporary composer contemporary music creative crisis critic cultural Debussy derived dissonance dramatic elements enthusiasm esthetic European music expressive fact Falstaff Haydn Hindemith Honegger implications jazz Krenek layman least less listener Liszt Mahler masterpieces melody and rhythm ment modern music Mozart musi musical evolution musical history musician nineteenth century opera opera house orchestra Otello Pelléas et Mélisande performance played polyphonic popular composer popular music poser premiere problem progress Puccini Ravel reaction rhythmic Schönberg scores sense serious composer serious music simply singer singing society sonata song Strauss Stravinsky structure style success symphony orchestra taste technical theater tion tonal tonal harmony tone tradition tunes understand UNIVERSITY OF CALIFORNIA Verdi Verdi's Vienna vocal concept Wagner Western music Wozzeck write