Subject and Object in Renaissance CultureMargreta de Grazia, Maureen Quilligan, Peter Stallybrass Cambridge University Press, 1996 M02 23 - 398 páginas This collection of original essays brings together some of the most prominent figures in new historicist and cultural materialist approaches to the early modern period, and offers a new focus on the literature and culture of the Renaissance. Traditionally, Renaissance studies have concentrated on the human subject. The essays collected here bring objects - purses, clothes, tapestries, houses, maps, feathers, communion wafers, tools, pages, skulls - back into view. As a result, the much-vaunted early modern subject ceases to look autonomous and sovereign, but is instead caught up in a vast and uneven world of objects which he and she makes, owns, values, imagines, and represents. This book puts things back into relation with people; in the process, it elicits new critical readings, and new cultural configurations. |
Dentro del libro
Resultados 1-5 de 58
Página i
... Object in Renais- sance Culture puts things back into relation with persons ; in the process , it elicits new critical readings and new cultural configurations . Cambridge Studies in Renaissance Literature and Culture 8 Subject and.
... Object in Renais- sance Culture puts things back into relation with persons ; in the process , it elicits new critical readings and new cultural configurations . Cambridge Studies in Renaissance Literature and Culture 8 Subject and.
Página iv
... cultural history . While the earliest New Historicist work was criticized for a narrow and anecdotal view of history , it also served as an important stimulus for post - structuralist , feminist , Marxist , and psychoanalytic work ...
... cultural history . While the earliest New Historicist work was criticized for a narrow and anecdotal view of history , it also served as an important stimulus for post - structuralist , feminist , Marxist , and psychoanalytic work ...
Página xiii
... Cultural Materialism ( 1985 ; second edition , 1994 ) . He has written on the cultural politics of perversion in the nineteenth and twentieth centuries and on sexuality and transgression in the Renaissance . His current work is on a ...
... Cultural Materialism ( 1985 ; second edition , 1994 ) . He has written on the cultural politics of perversion in the nineteenth and twentieth centuries and on sexuality and transgression in the Renaissance . His current work is on a ...
Página xiv
... Playing : Shakespeare and the Cultural Politics of Elizabethan Theatre . Stephen Orgel is Jackson Eli Reynolds Professor of Humanities at Stanford University . His books include The Jonsonian Masque ( xiv Notes on the contributors.
... Playing : Shakespeare and the Cultural Politics of Elizabethan Theatre . Stephen Orgel is Jackson Eli Reynolds Professor of Humanities at Stanford University . His books include The Jonsonian Masque ( xiv Notes on the contributors.
Página xv
... cultural politics and working with Ann Rosalind Jones on a book about clothes and the formation of identity in Early Modern Europe . Gary Tomlinson is Professor of Music and teaches Cultural Studies at the University of Pennsylvania . A ...
... cultural politics and working with Ann Rosalind Jones on a book about clothes and the formation of identity in Early Modern Europe . Gary Tomlinson is Professor of Music and teaches Cultural Studies at the University of Pennsylvania . A ...
Contenido
The ideology of superfluous things King Lear as period piece | 17 |
Rude mechanicals | 43 |
Spensers domestic domain poetry property and the Early Modern subject | 83 |
Materializations | 131 |
Gendering the Crown | 133 |
The unauthored 1539 volume in which is printed the Hecatomphile The Flowers of French Poetry and Other Soothing Things | 166 |
Dematerializations textile and textual properties in Ovid Sandys and Spenser | 189 |
Appropriations | 211 |
Unlearning the Aztec cantares preliminaries to a postcolonial history | 260 |
Fetishisms | 287 |
Worn worlds clothes and identity on the Renaissance stage | 289 |
The Countess of Pembrokes literal translation | 321 |
Remnants of the sacred in Early Modern England | 337 |
Objections | 347 |
The insincerity of women | 349 |
Desire is death | 369 |
Freedom service and the trade in slaves the problem of labor in Paradise Lost | 213 |
Feathers and flies Aphra Behn and the seventeenthcentury trade in exotica | 235 |
Otras ediciones - Ver todas
Subject and Object in Renaissance Culture Margreta de Grazia,Maureen Quilligan,Peter Stallybrass Sin vista previa disponible - 1996 |
Términos y frases comunes
actors Amoretti Arachne Arachne's argued aristocratic artisans Aztec Behn Behn's Blazon body Cambridge cantares Cantares mexicanos century clothes Clouts Come Home Colin Clouts costumes countess court courtly cultural death desire discourse Early Modern edition Edmund Spenser Elizabeth Elizabethan England English Epithalamion essay European example Faerie Queene female figure Freud gender genre Greenblatt Hecatomphile Henslowe ideology indigenous Ireland John joining King King Lear labor language Lear Lear's literary livery London luxury male Mary Sidney material metaphor Mexica Midsummer Night's Dream Milton Munster plantation mutability Nahuatl object orgasm Oroonoko Ovid painting Petrarch play play's poem poet poetic poetry political reading relation Renaissance rhetoric royal rude mechanicals scene sexual Shakespeare Sidney slave slavery social song sonnet Spenser stage Stephen Greenblatt Stephen Orgel suggests superfluous tapestry theater theatrical Theseus things tion trans translation Velázquez woman women words writing York