Subject and Object in Renaissance CultureMargreta de Grazia, Maureen Quilligan, Peter Stallybrass Cambridge University Press, 1996 M02 23 - 398 páginas This collection of original essays brings together some of the most prominent figures in new historicist and cultural materialist approaches to the early modern period, and offers a new focus on the literature and culture of the Renaissance. Traditionally, Renaissance studies have concentrated on the human subject. The essays collected here bring objects - purses, clothes, tapestries, houses, maps, feathers, communion wafers, tools, pages, skulls - back into view. As a result, the much-vaunted early modern subject ceases to look autonomous and sovereign, but is instead caught up in a vast and uneven world of objects which he and she makes, owns, values, imagines, and represents. This book puts things back into relation with people; in the process, it elicits new critical readings, and new cultural configurations. |
Dentro del libro
Resultados 1-5 de 54
Página iv
... identity itself , on theater as a political and economic phenomenon , and on the ideologies of art generally , reveals the breadth of the field . Cambridge Studies in Renaissance Literature and Culture is designed to offer historically ...
... identity itself , on theater as a political and economic phenomenon , and on the ideologies of art generally , reveals the breadth of the field . Cambridge Studies in Renaissance Literature and Culture is designed to offer historically ...
Página viii
... identity on the Renaissance stage PETER STALLY BRASS 289 11. The Countess of Pembroke's literal translation 321 JONATHAN GOLDBERG 12. Remnants of the sacred in Early Modern England 337 STEPHEN GREENBLATT Part V Objections 13. The ...
... identity on the Renaissance stage PETER STALLY BRASS 289 11. The Countess of Pembroke's literal translation 321 JONATHAN GOLDBERG 12. Remnants of the sacred in Early Modern England 337 STEPHEN GREENBLATT Part V Objections 13. The ...
Página xv
... identity in Early Modern Europe . Gary Tomlinson is Professor of Music and teaches Cultural Studies at the University of Pennsylvania . A 1988 MacArthur Fellow , he is the author of Monteverdi and the End of the Renaissance ( 1987 ) and ...
... identity in Early Modern Europe . Gary Tomlinson is Professor of Music and teaches Cultural Studies at the University of Pennsylvania . A 1988 MacArthur Fellow , he is the author of Monteverdi and the End of the Renaissance ( 1987 ) and ...
Página 4
... identity as " an objective being " or " objective personality " - that is , a being in need of outside objects and in need of being an outside object to another.14 The consciousness that comes into formation looks very different from ...
... identity as " an objective being " or " objective personality " - that is , a being in need of outside objects and in need of being an outside object to another.14 The consciousness that comes into formation looks very different from ...
Página 10
... identity as sibling , an incestuous identity she preserves too in putting together her brother's posthumous textual corpus , the act by which she consolidates her own position as author . Stephen Greenblatt looks at another corpus ...
... identity as sibling , an incestuous identity she preserves too in putting together her brother's posthumous textual corpus , the act by which she consolidates her own position as author . Stephen Greenblatt looks at another corpus ...
Contenido
The ideology of superfluous things King Lear as period piece | 17 |
Rude mechanicals | 43 |
Spensers domestic domain poetry property and the Early Modern subject | 83 |
Materializations | 131 |
Gendering the Crown | 133 |
The unauthored 1539 volume in which is printed the Hecatomphile The Flowers of French Poetry and Other Soothing Things | 166 |
Dematerializations textile and textual properties in Ovid Sandys and Spenser | 189 |
Appropriations | 211 |
Unlearning the Aztec cantares preliminaries to a postcolonial history | 260 |
Fetishisms | 287 |
Worn worlds clothes and identity on the Renaissance stage | 289 |
The Countess of Pembrokes literal translation | 321 |
Remnants of the sacred in Early Modern England | 337 |
Objections | 347 |
The insincerity of women | 349 |
Desire is death | 369 |
Freedom service and the trade in slaves the problem of labor in Paradise Lost | 213 |
Feathers and flies Aphra Behn and the seventeenthcentury trade in exotica | 235 |
Otras ediciones - Ver todas
Subject and Object in Renaissance Culture Margreta de Grazia,Maureen Quilligan,Peter Stallybrass Sin vista previa disponible - 1996 |
Términos y frases comunes
actors Amoretti Arachne Arachne's argued aristocratic artisans Aztec Behn Behn's Blazon body Cambridge cantares Cantares mexicanos century clothes Clouts Come Home Colin Clouts costumes countess court courtly cultural death desire discourse Early Modern edition Edmund Spenser Elizabeth Elizabethan England English Epithalamion essay European example Faerie Queene female figure Freud gender genre Greenblatt Hecatomphile Henslowe ideology indigenous Ireland John joining King King Lear labor language Lear Lear's literary livery London luxury male Mary Sidney material metaphor Mexica Midsummer Night's Dream Milton Munster plantation mutability Nahuatl object orgasm Oroonoko Ovid painting Petrarch play play's poem poet poetic poetry political reading relation Renaissance rhetoric royal rude mechanicals scene sexual Shakespeare Sidney slave slavery social song sonnet Spenser stage Stephen Greenblatt Stephen Orgel suggests superfluous tapestry theater theatrical Theseus things tion trans translation Velázquez woman women words writing York