Subject and Object in Renaissance CultureMargreta de Grazia, Maureen Quilligan, Peter Stallybrass Cambridge University Press, 1996 M02 23 - 398 páginas This collection of original essays brings together some of the most prominent figures in new historicist and cultural materialist approaches to the early modern period, and offers a new focus on the literature and culture of the Renaissance. Traditionally, Renaissance studies have concentrated on the human subject. The essays collected here bring objects - purses, clothes, tapestries, houses, maps, feathers, communion wafers, tools, pages, skulls - back into view. As a result, the much-vaunted early modern subject ceases to look autonomous and sovereign, but is instead caught up in a vast and uneven world of objects which he and she makes, owns, values, imagines, and represents. This book puts things back into relation with people; in the process, it elicits new critical readings, and new cultural configurations. |
Dentro del libro
Resultados 1-5 de 66
Página 2
... seems worth recounting because it so forcibly dramatizes the interrelation of subject and object . It is precisely this interrelation that drops out of the history which has done most to periodize the Renaissance . Jacob Burckhardt's ...
... seems worth recounting because it so forcibly dramatizes the interrelation of subject and object . It is precisely this interrelation that drops out of the history which has done most to periodize the Renaissance . Jacob Burckhardt's ...
Página 3
... seems to offer a similar narrative of separation in accounting for the rise of capitalism . His recurrent focus on alienation also appears to sever subject and object . The capitalist mode of production estranges the worker from both ...
... seems to offer a similar narrative of separation in accounting for the rise of capitalism . His recurrent focus on alienation also appears to sever subject and object . The capitalist mode of production estranges the worker from both ...
Página 4
... seem a long and monotonous history of the sovereignty of the subject . In highlighting the subject , Renaissance studies have prodded this history on , for , from its Burckhardtian inception , the period has been identified as " the ...
... seem a long and monotonous history of the sovereignty of the subject . In highlighting the subject , Renaissance studies have prodded this history on , for , from its Burckhardtian inception , the period has been identified as " the ...
Página 5
... seems an improvement . The period division " Early Colonial " at least assumes the presence of colonized as well as colonizer , object as well as subject . The purpose of this collection of essays is not to efface the subject but to ...
... seems an improvement . The period division " Early Colonial " at least assumes the presence of colonized as well as colonizer , object as well as subject . The purpose of this collection of essays is not to efface the subject but to ...
Página 10
... seem more like simulacra or sites of loss . Both essays reopen the question of the subject by drawing on psychoanalysis to insist that the object figures as problem . In 10 Margreta de Grazia , Maureen Quilligan , Peter Stallybrass.
... seem more like simulacra or sites of loss . Both essays reopen the question of the subject by drawing on psychoanalysis to insist that the object figures as problem . In 10 Margreta de Grazia , Maureen Quilligan , Peter Stallybrass.
Contenido
The ideology of superfluous things King Lear as period piece | 17 |
Rude mechanicals | 43 |
Spensers domestic domain poetry property and the Early Modern subject | 83 |
Materializations | 131 |
Gendering the Crown | 133 |
The unauthored 1539 volume in which is printed the Hecatomphile The Flowers of French Poetry and Other Soothing Things | 166 |
Dematerializations textile and textual properties in Ovid Sandys and Spenser | 189 |
Appropriations | 211 |
Unlearning the Aztec cantares preliminaries to a postcolonial history | 260 |
Fetishisms | 287 |
Worn worlds clothes and identity on the Renaissance stage | 289 |
The Countess of Pembrokes literal translation | 321 |
Remnants of the sacred in Early Modern England | 337 |
Objections | 347 |
The insincerity of women | 349 |
Desire is death | 369 |
Freedom service and the trade in slaves the problem of labor in Paradise Lost | 213 |
Feathers and flies Aphra Behn and the seventeenthcentury trade in exotica | 235 |
Otras ediciones - Ver todas
Subject and Object in Renaissance Culture Margreta de Grazia,Maureen Quilligan,Peter Stallybrass Sin vista previa disponible - 1996 |
Términos y frases comunes
actors Amoretti Arachne Arachne's argued aristocratic artisans Aztec Behn Behn's Blazon body Cambridge cantares Cantares mexicanos century clothes Clouts Come Home Colin Clouts costumes countess court courtly cultural death desire discourse Early Modern edition Edmund Spenser Elizabeth Elizabethan England English Epithalamion essay European example Faerie Queene female figure Freud gender genre Greenblatt Hecatomphile Henslowe ideology indigenous Ireland John joining King King Lear labor language Lear Lear's literary livery London luxury male Mary Sidney material metaphor Mexica Midsummer Night's Dream Milton Munster plantation mutability Nahuatl object orgasm Oroonoko Ovid painting Petrarch play play's poem poet poetic poetry political reading relation Renaissance rhetoric royal rude mechanicals scene sexual Shakespeare Sidney slave slavery social song sonnet Spenser stage Stephen Greenblatt Stephen Orgel suggests superfluous tapestry theater theatrical Theseus things tion trans translation Velázquez woman women words writing York