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Then give him, for a soldier meet,
A soldier's cloak for winding-sheet."

5. VIRTUE IN ADVERSITY.

The minstrel waked his harp-three times
Arose the well-known martial chimes,
And thrice their high heroic pride
In melancholy murmurs died.
"Vainly thou bidd'st, O noble maid,"
Clasping his wither'd hands, he said,
"Vainly thou bidd'st me wake the strain,
Though all unwont to bid in vain.
Alas! than mine a mightier hand
Has tuned my harp, my strings has spann'd
I touch the chords of joy, but low
And mournful answer notes of woe;
And the proud march, which victors tread,
Sinks in the wailing of the dead.

O well for me, if mine alone

That dirge's deep prophetic tone;
If, as my tuneful fathers said,

This harp, which erst Saint Modan sway'd,

Can thus its master's fate foretell,

Then welcome be the minstrel's knell !

But ah! dear lady, thus it sigh'd

The eve thy sainted mother died;

And such the sounds which, while I strove

To wake a lay of war or love,

Came marring all the festal mirth,

Appalling me who gave them birth,

And, disobedient to my call,

Wail'd loud through Bothwell's banner'd hall,

Ere Douglasses, to ruin driven,

Were exiled from their native heaven.

Oh! if yet worse mishap and woe
My master's house must undergo,
Or aught but weal to Ellen fair,
Brood in these accents of despair,
No future bard, sad harp! shall fling
Triumph or rapture from thy string;

One short, one final strain shall flow,
Fraught with unutterable woe,
Then shiver'd shall thy fragments lie,
Thy master cast him down and die."

Soothing she answer'd him, " Assuage,
Mine honour'd friend, the fears of age:
All melodies to thee are known,

That harp has rung, or pipe has blown,
In Lowland vale or Highland glen,
From Tweed to Spey-what marvel, then,
At times, unbidden notes should rise,
Confusedly bound in memory's ties,
Entangling, as they rush along,

The war-march with the funeral song ?-
Small ground is now for boding fear;
Obscure, but safe, we rest us here.
My sire, in native virtue great,
Resigning lordship, lands, and state,
Not then to fortune more resign'd,
Than yonder oak might give the wind:
The graceful foliage storms may reave,
The noble stem they cannot grieve.
For me," she stoop'd, and, looking round,
Pluck'd a blue hare-bell from the ground,
"For me, whose memory scarce conveys
An image of more splendid days,
This little flower, that loves the lea,
May well my simple emblem be;
It drinks heaven's dew as blithe as rose
That in the king's own garden grows ;
And when I place it in my hair,

Allan, a bard is bound to swear
He ne'er saw coronet so fair."-

Then playfully the chaplet wild

She wreath'd in her dark locks, and smiled.

6. DECEIT.

O what a tangled web we weave,

When first we practise to deceive i

7. THE ROSE AND HOPE.

The rose is fairest when 'tis budding new,
And hope is brightest when it dawns from fears.
8. MELROSE ABBEY.

If thou would'st view fair Melrose aright,
Go, visit it by the pale moonlight;
For the gay beams of lightsome day
Gild, but to flout, the ruins grey.
When the broken arches are black in night,
And each shafted oriel glimmers white;
When the cool light's uncertain shower
Streams on the ruin'd central tower ;
When buttress and buttress, alternately,
Seem framed of ebon and ivory ;

When silver edges the imagery,

And the scrolls that teach thee to live and die;
When distant Tweed is heard to rave,

And the owlet to hoot o'er the dead man's grave,

Then go but go alone the while—

Then view St. David's ruined pile ;
And, home returning, soothly swear,
Was never scene so sad and fair.

CCLXXVII. SAMUEL TAYLOR COLERIDGE,

1772-1834.

1. GENEVIEVE.

Maid of my love, sweet Genevieve .
In beauty's light you glide along :
Your eye is like the star of eve,

And sweet your voice, as seraph's song.
Yet not your heavenly beauty gives
This heart with passion soft to glow :
Within your
soul a voice there lives!

It bids you hear the tale of woe.

When sinking low the sufferer wan

Beholds no hand outstretched to save,

Fair as the bosom of the swan,

That rises graceful o'er the wave,
I've seen your breast with pity heave,
And therefore love I you, sweet Genevieve!

2. LOVE.

All thoughts, all passions, all delights,
Whatever stirs this mortal frame,
All are but ministers of Love,
And feed his sacred flame.

Oft in my waking dreams do I
Like o'er again that happy hour,
When midway on the mount I lay,
Beside the ruin'd tower.

The moonshine, stealing o'er the scene,
Had blended with the lights of eve;
And she was there, my hope, my joy,
My own dear Genevieve!

She lean'd against the armed man,
The statue of the armed knight;
She stood and listened to my lay,
Amid the lingering light.

Few sorrows hath she of her own,
My hope! my joy! my Genevieve!
She loves me best, whene'er I sing
The songs that make her grieve.

I played a soft and doleful air,
I sang an old and moving story-
An old rude song, that suited well
That ruin wild and hoary.

She listened with a flitting blush,
With downcast eyes and modest grace;
For well she knew, I could not choose
But gaze upon her face.

I told her of the knight that wore
Upon his shield a burning brand;
And that for ten long years he wooed
The Lady of the Land.

:

I told her how he pined and ah!
The deep, the low, the pleading tone
With which I sang another's love,
Interpreted my own.

She listened with a flitting blush,
With downcast eyes, and modest grace;
And she forgave me, that I gazed
Too fondly on her face!

But when I told the cruel scorn
That crazed that bold and lovely knight,
And that he crossed the mountain-woods,
Nor rested day nor night;

That sometimes from the savage den,
And sometimes from the darksome shade,
And sometimes starting up at once
In green and sunny glade,-

There came and looked him in the face
An angel beautiful and bright;
And that he knew it was a fiend,
This miserable knight !

And that, unknowing what he did,
He leaped amid a murderous band,
And saved from outrage worse than death
The Lady of the Land ;-

And how she wept, and clasped his knees;
And how she tended him in vain—

And ever strove to expiate

The scorn that crazed his brain;
And that she nursed him in a cave;
And how his madness went away,
When on the yellow forest-leaves
A dying man he lay ;-

His dying words—but when I reached
That tenderest strain of all the ditty,
My faltering voice and pausing harp
Disturbed her soul with pity!

All impulses of soul and sense
Had thrilled my guileless Genevieve ;
The music and the doleful tale,

The rich and balmy eve;

And hopes, and fears that kindle hope,
An undistinguishable throng,

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