Ang. Angelica. Prec. Prec. Thank me by following it. Indeed I will. Prec. Pray do not go. I have much more to say. Ang. My mother is alone. I dare not leave her. Prec. Some other time, then, when we meet again. You must not go away with words alone. Prec. No thanks. To-morrow, come to me again. Ang. I will. And may the blessed virgin guard you. And all good angels! [Exit. Prec. May they guard thee too, And all the poor; for they have need of angels. Now bring me, dear Dolores, my basquina, My richest maja dress,-my dancing dress, And my most precious jewels! Make me look Fairer than night e'er saw me! I've a prize To win this day, worthy of Preciosa! Enter BELTRAN CRUZADO. Cruz. Ave Maria! Prec. O God! my evil genius! Thyself,-my child. Prec. I gave thee yesterday; I have no more. Cruz. The gold of the Busné,-give me his gold! Prec. I gave thee last in charity to-day. It is the truth. Cruz. Curses upon thee! Thou art not my child! Hast thou given gold away, and not to me? Prec. Who needs it more. Cruz. To one No one can need it more. Prec. Thou art not poor. Cruz. What! 1. who lurk about In dismal suburbs and unwholesome lanes; I, who am housed worse than the galley slave, I, who am fed worse than the kennelled hound, | I, who am clothed in rags,-Beltran Cruzado,— Not poor! Prec. Thou hast a stout heart and strong Prec. Beltran Cruzada! hear me once for all, I speak the truth. So long as I had gold, I gave it to thee freely, at all times, Cruz. Wear silken dresses, feed on dainty food, I cannot breathe shut up within its gates! Prec. God speed thee on thy march!-I cannot go. Cruz. Remember who I am, and who thou art! Be silent and obey! Yet one thing more. Prec. (with emotion.) Oh. I beseech thee; In my behalf, who am a feeble girl, I do not love him! On my knees I beg thee Cruz. me. [Exit. Your grace was pleased to order, wait without. Arch. Bid then come in. Now shall your eyes behold In what angelic vet voluptuous shape The Devil came to tempt Saint Anthony. Enter PRECIOLA, with a mantle thrown over her head. She advances slowly, in modest, half-timid attitude. Card. (aside.) Oh, what a fair and ministering angel Was lost to heaven when this sweet woman fell! Prec. (kneeling before the ARCHBISHOP.) I have obeyed the order of your grace. If I intrude upon your better hours. I proffer this excuse, and here beseech Your holy benediction. Arch. My God bless thee, And lead thee to a better life. Arise. Card. (aside.) Her acts are modest, and her words discreet. I did not look for this! Come hither, child. The march across the moor; the halt at noon, The red fire of the evening camp, that lighted The forest where we slept; and, farther back, As in a dream, or in some former life, Gardens and palace walls. Arch. 'Tis the Alhambra, Under whose towers the gipsy camp was pitched. But time wears; and we would see the dance. Prec. Your grace shall be obeyed. (She lays aside her mantula The music of the cachucha is played, and the dance begins ARCHBISHOP and the CRDINAL look on with gravity and an occasional frown, then make signs to each other. and, as the dance continues, become more and more pleased and excited; and at length rise from their seats. throw their caps in the air, and applaud vehemently as the scene closes ) The I am that wretched man. Don Car. You mean to tell me yours have risen empty? Hyp. And amen! said the Cid Campeador. Some half-dozen ounces. Don Car. (giving his purse.) What, am I a Jew, To put my money out at usury? Here is my purse. Hup Thank you. A pretty purse. And with thy golden mouth remind me often torian? This moment. Hyp. Indifferent well; that is to say, not well. A damsel has ensnared him with the glances Of her dark roving eyes, as herdsmen catch A steer of Andalusia with a lazo. He is in love. Don Car. To be in love? Hyp. And is it faring ill In this case very ill. Don Car. Why so? And, like a lily on a river floating, Don Car. A common thing with poets. But | And they who are in love are always jealous.. who is This floating lily? For, in fine, some woman, Hyp. Guess again. Why, who do you think? Don Car. His cousin Violante. Hyp. To ease his labouring heart, in the last storm He threw her overboard, with all her ingots. Don Car. I cannot guess: so tell me who it is. Hyp. Not 1. Don Car. Why not? Hyp. (mysteriously.) Why? Because Mari Was married four leagues out of Salamanca ! Prêciosa. Don Car. Impossible! The Count of Lara tells Therefore thou shouldst be. Vict. I fear there is reason. Be upon thy guard. Indeed! Then he will have his labour for his pains. Hyp. He does not think so, and Don Carles tells me He boasts of his success. Vict. How's this, Don Carlos? Don C. Some hints of it I heard from his own lips. He spoke but lightly of the lady's virtue, Death and damnation! [Erit. Hyp. Now what a coil is here! The Avenging Child Hunting the traitor Quadros to his death, Were nothing to him! Oh, hot-headed youth! [Exeunt. SCENE IV.-PRECIOSA'S Chamber. She is sitting, with a book in her hand, near a table, on which are flowers. A bird singing in its cage. The COUNT OF LARA enters behind unperceived. Prec. (reads). All are sleeping, weary heart! Thou, thou only sleepless art! Heigho! I wish Victorian were here. I know not what it is that makes me so restless! (The bird sings.) Thou little prisoner with thy motley coat, All are sleeping, weary heart; Thou speakest truly, poet! and methinks root, And grow in silence, and in silence perish. (Turns to lay down her book, and perceives the COUNT) Vict. Hyp For thou art jealous. Vict. No, I am not jealous. Hyp. Thou shouldst be. Vict. Hyp Why? Lara. Because thou art in love; Prec. Ha! Lara. Senora, pardon me! Prec. How's this? Dolores!" Pardon me -Dolores! Lara. Be not alarmed; I found no one in waiting. If I have been too bold. Prec. (turning her back upon him.) You are too bold! Retire retire, and leave me! Prec. (turning towards him with indignation.) I come here as your friend,-I am your friend,-- To all those idle tales, and make your name I love you even to madness, and that love Prec. Rise, Count of Lara: That is not the place, For such as you are. It becomes you not And that reserve which is a woman's glory, Lara. Prec. O sweet angel! Ay, in truth, Far better than you love yourself or me. Lara. Give me some sign of this, the slightest token. Let me but kiss your hand! love, That seeks to harm me, cannot be true love. Your earthly passion, your unchaste desires, Vict. (rushing forward.) Hold! hold! This is too much. First, what right have you To question thus a nobleman of Spain? Vict. I, too, am noble, and you are no more! Out of my sight! Lara. Are you the master here? Vict. Ay, here and elsewhere, when the wrong of others Give me the right! Prec (to Lara) Go! I beseech yon, go! Vict. I shall have business with you, Count, anon! Oh, we have been betrayed! that man Is hateful to me! Vict. Yet I saw thee stand In my casket. Vict. There let it rest! I would not have thee wear it! I thought thee spotless, and thou art polluted! Vict. Victorian! dear Victorian! Vict. I gave up all for thee; myself, my fame, My hopes of fortune, ay, my very soul! And thou has been my ruin! Now, go on! Laugh at my folly with thy paramour, And, sitting on the Count of Lara's knee, Say what a poor, fond fool Victorian was! (Ile casts her from him and rushes out. closes.) Prec. And this from thee! Scene Of evil deeds that have been done in darkness! Disgrace has many tongues, My fears are windows Through which all eyes seem gazing. face Every Expresses some suspicion of my shame, thee I was but half persuaded of her virtue? Hyp. And therefore is she cursed, loving him. Vict. She does not love him! 'Tis for gold! for gold! Hyp. Ay, but remember, in the public streets He shows a golden ring the Gipsy gave him, A serpent with a ruby in its mouth. Vict. She had that ring from me! God! she is false! But I will be revenged! The hour is passed. Hyp. time. Between you, gentlemen. Is there no way I do entreat thee, dear Hypolito, End our debate. Upon your guard, Sir Count! me From sending your vile soul to its account? Lara. Strike! strike! Vict. You are disarmed. I will not kill you. I will not murder you. Take up your sword. FRANCISCO hands the COUNT his sword, and HYPOLITO interposes. Hyp. Enough! Let it end here! The Count of Lara Has shown himself a brave man, and Victorian Lara. I am content. Vict. me; |