Imagination and Dramatic Instinct: Some Practical Steps for Their Development, Volumen10

action Ahab artistic assimilation attitude awaken Barbara Frietchie beauty Bregenz burlesque called character Charlotte Cushman clauses clouds comedy conception contrast Danny Deever dead deep definite dramatic art dramatic instinct earth elements Elijah emotion eyes fact faculty farce father feeling give Goody Cole Hampton River hand hath hear heard heart heaven hence highest human ideal ideas imagination imitation language literature living Lochinvar look Lord lyric Macbeth manifest Marmion Matthew Arnold means mechanical Merchant of Venice mind modulations monologue movement nature never night noble o'er object passion Paul Revere poem poetry point of view reader realization relations of ideas representation reveals rhythm scene Shakespeare Shylock sing situation soul speak speaker spirit student suggested sweet sympathetic sympathy thee things thou thought tion tone-color tragedy transitions true truth unity unto vocal expression voice wave whole wind words