Lectures on Rhetoric and Belles Lettres, Volumen3T. Cadell and W. Davies, 1812 |
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Página 16
... imitation their beauties only ; and it is per- fectly confiftent with juft and candid criticism , to find fault with parts , while at the fame time , it admires the whole . AFTER thefe reflections on the Antients and Moderns , I proceed ...
... imitation their beauties only ; and it is per- fectly confiftent with juft and candid criticism , to find fault with parts , while at the fame time , it admires the whole . AFTER thefe reflections on the Antients and Moderns , I proceed ...
Página 44
... Guicciardin , have , in imitation of them , intro- duced Orations into their Hiftory . In the pro- foundness and diftinctness of their political views , they they may , perhaps , be efteemed to have fur- 44 HISTORICAL WRITING .
... Guicciardin , have , in imitation of them , intro- duced Orations into their Hiftory . In the pro- foundness and diftinctness of their political views , they they may , perhaps , be efteemed to have fur- 44 HISTORICAL WRITING .
Página 55
... - tences . It cannot be denied , at the fame time , that he often expreffes himself with much live- linefs and force ; though his Style , upon the whole , E 4 LECT . whole , is far from deferving imitation . PHILOSOPHICAL WRITING . 55.
... - tences . It cannot be denied , at the fame time , that he often expreffes himself with much live- linefs and force ; though his Style , upon the whole , E 4 LECT . whole , is far from deferving imitation . PHILOSOPHICAL WRITING . 55.
Página 56
Hugh Blair. LECT . whole , is far from deferving imitation . In XXXVI . English , Mr. Locke's celebrated Treatife on ... imitate them . Dialogue Writing may be executed in two ways , either as direct converfation , where none but the ...
Hugh Blair. LECT . whole , is far from deferving imitation . In XXXVI . English , Mr. Locke's celebrated Treatife on ... imitate them . Dialogue Writing may be executed in two ways , either as direct converfation , where none but the ...
Página 74
... time , however , fomewhat better has been attempted , and a de- gree of reformation introduced into the spirit of Novel Writing . Imitations of life and charac- ter 75 ter have been made their principal object . Re- FICTITIOUS HISTORY .
... time , however , fomewhat better has been attempted , and a de- gree of reformation introduced into the spirit of Novel Writing . Imitations of life and charac- ter 75 ter have been made their principal object . Re- FICTITIOUS HISTORY .
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Términos y frases comunes
action Æneid againſt alfo antient arifes Author beautiful cenfure characters circumftances Comedy compofed Compofition confiderable confiftent converfation defcribed defcription difplay diftinct diftinguiſhed elegant Engliſh Epic Poem Epic Poetry Epiſodes Euripides expreffion expreffive faid fame fatire fcenes feems fentiments feveral fhall fhould fimple fimplicity firft firſt fituations fome fometimes fpecies fpirit ftate ftory ftrain ftrong fubject fublime fuch fufficient fuited fyllables genius give greateſt Greek Hero Hiftorian Hiftory higheſt himſelf Homer Iliad impreffion inftance inftruction interefting itſelf juft kind L E C laft LECT lefs Lyric Poetry manner meaſure moft moral moſt Mufic muft muſt narration nature neceffary obfervations objects occafions paffages paffed paffion Paftoral perfonages perfons philofophical pleafing pleaſe pleaſure Poet poetical poffefs prefent Profe racters raiſed reafon refpect reft render rife ſcenes ſhall Sophocles Style Taffo thefe themſelves Theocritus theſe thofe thoſe Thucydides tion Tragedy unity Verfe Verfification Verſe Virgil Voltaire Writing XLII XXXVIII
Pasajes populares
Página 321 - All the images of nature were still present to him, and he drew them not laboriously but luckily: when he describes anything you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learned; he needed not the spectacles of books to read Nature; he looked inwards, and found her there.
Página 150 - Swinging slow with sullen roar; Or if the air will not permit, Some still removed place will fit, Where glowing embers through the room Teach light to counterfeit a gloom...
Página 153 - Come with me from Lebanon, my spouse, with me from Lebanon : look from the top of Amana, from the top of Shenir and Hermon, from the lions' dens, from the mountains of the leopards.
Página 183 - That the triumphing of the wicked is short, and the joy of the hypocrite but for a moment? Though his excellency mount up to the heavens, and his head reach unto the clouds; Yet he shall perish for ever like his own dung: they which have seen him shall say, Where is he?
Página 157 - Clos'd o'er the head of your lov'd Lycidas? For neither were ye playing on the steep, Where your old Bards, the famous Druids, lie, Nor on the shaggy top of Mona high, Nor yet where Deva spreads her wizard stream: Ay me!
Página 322 - Admirable scenes and passages, without number, there are in his Plays ; passages beyond what are to be found in any other Dramatic Writer; but there is hardly any one of his Plays which can be called altogether a good one, or which can be read with uninterrupted pleasure from beginning to end. Besides...
Página 148 - He thinks in a peculiar train, and he thinks always as a man of genius; he looks round on Nature and on Life with the eye which Nature bestows only on a poet, the eye that distinguishes in...
Página 145 - But a true poet makes us imagine that we see it before our eyes : he catches the distinguishing features ; he gives it the colours of life and reality ; he places it in such a light that a painter could copy after him.
Página 3 - ... universal taste of mankind, proved and tried throughout the succession of so many ages. Imperfections in their works he may indeed point out; passages that are faulty he may show; for where is the human work that is perfect?
Página 115 - The fprightly Sylvia trips along the green, " She runs, but hopes fhe does not run unfeen ; " While a kind glance at her purfuer flies, " How much at variance are her feet and eyes !" There is nothing the writers of this kind of poetry are fonder of than defcriptions of paftoral Prefents.