Henry Miller and ReligionRoutledge, 2007 - 163 páginas This study argues that this previously banned author devoted his entire life to articulating a religion of self-liberation in his autobiographical books, examining his life and work within the context of fringe religious movements that were linked with the avant-garde in New York City and Paris at the first of the 20thcentury. This study shows how these transatlantic movements – including Gurdjieff, Rosicrucianism, and Theosophy – gave him the hermeneutical devices, not to mention the creative license, to interpret texts and symbols from mainline religions in an iconoclastic manner, ranging from obscure Taoist treatises to the mystical works of Jacob Boehme. The influence of numerous philosophical sources widely circulated in his most critical years – particularly Henri Bergson’s Two Sources of Morality and Religion(1932) – also helped him develop a religious view situated between transcendence and immanence, in which self-liberation through the channeled flow of élan vital is the chief objective. Miller’s knowledge of these intellectual currents, along with his involvement with sidestream religious groups, inspired him to meld his religious and literary aims into one perplexing project. |
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Página 56
... light . He writes , " It's as though I had no clothes on and every pore of my body was a window and all the windows open and the light flooding my gizzards . I can feel the light curving under the vault of my ribs and my ribs hang there ...
... light . He writes , " It's as though I had no clothes on and every pore of my body was a window and all the windows open and the light flooding my gizzards . I can feel the light curving under the vault of my ribs and my ribs hang there ...
Página 70
... light of Dante's magnum opus . Keeping with his appropriation of Dante's schematic , Miller includes an inverted Beatrice figure who nevertheless serves a similar role to the Ital- ian poet's beloved.14 As Mara , the personification of ...
... light of Dante's magnum opus . Keeping with his appropriation of Dante's schematic , Miller includes an inverted Beatrice figure who nevertheless serves a similar role to the Ital- ian poet's beloved.14 As Mara , the personification of ...
Página 115
... light , I feel like saying . And the light revolving , not the wheel " " ( Nexus 77 ) . Here he also associates himself with Elijah when he writes of Mona and Stasia : " They were so terribly eager to satisfy my least whim ... it was ...
... light , I feel like saying . And the light revolving , not the wheel " " ( Nexus 77 ) . Here he also associates himself with Elijah when he writes of Mona and Stasia : " They were so terribly eager to satisfy my least whim ... it was ...
Contenido
Chapter | 13 |
Chapter Three | 27 |
Chapter Four | 41 |
Derechos de autor | |
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able addition American angel appears artist associated attempts become begins body called chapter Christ Christian comes complete concept connection consider continues create creative critical dance death describes developed discusses divine early élan élan vital energy example experience figure final flow force give Hell helped Henry Miller ideas identified inspired language later lead liberation light literary literature live Mara means mentioned metaphors moment moments Mona move movement mystical narrative Nexus notes novel ocean once opening Paris passage piece Plexus position presented published recalls refers reflects relates religion religious remains renderings rise river rock Rosy Crucifixion says seen sexual Sexus similar sources spiritual story suggests symbols tells thought throughout tion traditional Tropic of Cancer Tropic of Capricorn United vision vital wanted women writes York