Mediating Order and Chaos: The Water-cycle in the Complex Adaptive Systems of Romantic CultureRodopi, 2001 - 349 páginas This literature-centered study offers an interdisciplinary approach to Romantic culture. If is pioneering in that it employs the complexity method of anthropology. Recent literary studies employ the complexity/chaos theory adapted from the natural sciences; however, here is presented for the first time a complexity method taken from the social/human sciences. This complexity method is useful in mediating not only contradictions within Romanticism, but the chaos of contemporary theories concerning it. One of the intensifying literary debates is that between the so-called "Greens" and "Reds," naturalists and humanists. Mediating Order and Chaos not only traces the split between nature and man to Romantic Culture but finds there, too, a Spinozian vision of man and nature in unity - thereby denying any naturalist/humanist split. This volume is of interest for those who wish to see essays in the holistic approach to culture. Centering on hydraulics, hydrology, and meteorology, this study examines literature, painting, music, economics, and the rhetoric of science, philosophy, and politics, it therewith demonstrates how the water cycle was transformed into a cosmic metaphor that mediated, in the form of several complex adaptive systems, between the chaos of too much change and that of not enough. |
Dentro del libro
Resultados 1-5 de 35
Página 27
... passing moment , by the act of description , than as a formation or a class . Howard's third category is called compound modifications and again demonstrates the attempt to organize fluid phenomena that intertwine and oscillate among ...
... passing moment , by the act of description , than as a formation or a class . Howard's third category is called compound modifications and again demonstrates the attempt to organize fluid phenomena that intertwine and oscillate among ...
Página 32
... passes through springs ; rather , much of it passes directly into the streams through run - off or ground - water seepage from the rain / snow and does not pass into the earth and out through these springs . Moreover , approximately ...
... passes through springs ; rather , much of it passes directly into the streams through run - off or ground - water seepage from the rain / snow and does not pass into the earth and out through these springs . Moreover , approximately ...
Página 54
... passing of the carriage of that most reactionary of all monarchs , the Bourbon King of Naples , on his way into the Louvre to visit the soon - to - fall French Bourbon , Charles X. Whether or not the date appended to the poem is the ...
... passing of the carriage of that most reactionary of all monarchs , the Bourbon King of Naples , on his way into the Louvre to visit the soon - to - fall French Bourbon , Charles X. Whether or not the date appended to the poem is the ...
Página 56
... passing figure of speech : it has revealed two different political attitudes to the status quo , and yet even these two attitudes fall under the same larger world view . Hugo , as we shall see , will employ the sea for more than just a ...
... passing figure of speech : it has revealed two different political attitudes to the status quo , and yet even these two attitudes fall under the same larger world view . Hugo , as we shall see , will employ the sea for more than just a ...
Página 57
... passing one as that of Cobbett and Shelley , water imagery was summoned as a polemic tool between 1760 and 1870 , and to an unprecedented degree and range : above all else because it embodied change in a changing time . As I shall later ...
... passing one as that of Cobbett and Shelley , water imagery was summoned as a polemic tool between 1760 and 1870 , and to an unprecedented degree and range : above all else because it embodied change in a changing time . As I shall later ...
Contenido
1 | |
7 | |
SOURCE | 69 |
FLOW | 117 |
RECEPTACLE | 199 |
LINK | 267 |
CONCLUSION | 325 |
PRIMARY BIBLIOGRAPHY | 331 |
BIBLIOGRAPHICAL ESSAY ON SECONDARY WORKS | 342 |
Otras ediciones - Ver todas
Mediating Order and Chaos: The Water-Cycle in the Complex Adaptive Systems ... Rodney Farnsworth Vista previa limitada - 2021 |
Mediating Order and Chaos: The Water-cycle in the Complex Adaptive Systems ... Rodney Farnsworth Sin vista previa disponible - 2001 |
Términos y frases comunes
Abrams allegorical artist aspect Baroque Byron Caspar David Friedrich century chaos chapter Classicism clouds Coleridge complexity theory concept Constable context cosmic create cycle described Dorothea Duddon elements employed eternal falls Faust flow flux fountain French Revolution Friedrich glacier Goethe Goethe's Hermann and Dorothea Hugo Hugo's human hydrological-cycle hydrology imagery Jane Austen Kenneth Clark lake Lamartine landscape Lansing lines lyric Mary Shelley metaphor mind mist Mont Blanc movement nature Neoclassical Neoclassicism ocean offers painters painting paradox passage permanence in change persona poem poet poet's poetic poetry political quarter rain rendered represent rhetoric river River Duddon rocks Romantic culture Romanticism scene scientific seems sense Shelley Shelley's significant sonnet spring stanza Stolberg Storm and Stress stream suggest symbol term topographical treated Turner Vaughan vision water images water phenomena water-cycle waterfall waves Weimar Classicism Werther Wordsworth world view York
Pasajes populares
Página 249 - And first one universal shriek there rush'd, Louder than the loud ocean, like a crash Of echoing thunder; and then all was hush'd, Save the wild wind and the remorseless dash Of billows; but at intervals there gush'd, Accompanied with a convulsive splash, A solitary shriek, the bubbling cry Of some strong swimmer in his agony.
Página 103 - Motionless torrents! silent cataracts! Who made you glorious as the Gates of Heaven Beneath the keen full moon? Who bade the sun Clothe you with rainbows? Who, with living flowers Of loveliest blue, spread garlands at your feet? GOD! let the torrents, like a shout of nations, Answer! and let the ice-plains echo, GOD!
Página 208 - Mais s'il est un état où l'ame trouve une assiette assez solide pour s'y reposer tout entière , et rassembler là tout son être , sans avoir besoin de rappeler le passé ni d'enjamber sur l'avenir, où le temps ne soit rien pour elle , où le présent dure toujours, sans néanmoins marquer sa durée et sans aucune trace de succession...
Página 299 - I sift the snow on the mountains below, And their great pines groan aghast ; And all the night 'tis my pillow white, While I sleep in the arms of the blast.
Página 105 - Were all like workings of one mind, the features Of the same face, blossoms upon one tree ; Characters of the great Apocalypse, The types and symbols of Eternity, Of first, and last, and midst, and without end.
Referencias a este libro
Romanticism: Comparative Discourses Larry H. Peer,Diane Long Hoeveler Sin vista previa disponible - 2006 |