And looked upon his gilded frames, Irwin Russell The Origin of the Banjo Go 'way, fiddle! Folks is tired o' hearin' you a-squawkin'; Keep silence fur yo' betters!-don't you heah de banjo talkin'? About de 'possum's tail she's gwine to lecter-ladies, listen— About de ha'r whut isn't dar, an' why de h'ar is missin'. "Dar's gwine to be a oberflow," said Noah, lookin' solemn— Ol' Noah kep' a-nailin', an' a-chippin', an' a-sawin'; Now, Noah had done catched a lot ob eb'ry sort o' beas'es; Den sech anoder fall ob rain! It come so awful hebby De Ark she kep' a-sailin' an' a-sailin' an' a-sailin'; De sarpints hissed; de painters yelled; tell whut wid all de fussin' You c'u'dn't hardly heah de mate a-bossin' 'roun' an' cussin'. Now Ham, de only nigger whut wuz runnin' on de packet, Got lonesome in de barber-shop an' c'u'dn't stan' de racket; An' so, fur to amuse hisse'f, he steamed some wood an' bent it, An' soon he had a banjo made-de fust dat was invented. He wet de ledder, stretched it on; made bridge, an' screws, an' aprin, An' fitted in a proper neck-'twuz berry long an' tap'rin'. De 'possum had as fine a tail as dis dat I's a-singin'; De ha'rs so long an' thick an' strong-des fit fur banjostringin'; Dat nigger shabed 'em off as short as washday-dinner graces; An' sorted ob 'em by de size, f'om little E's to bases. He strung her, tuned her, struck a jig-'twuz "Nebber min' de wedder"; She soun' like forty-leben bands a-playin' all togedder. gers, An' Ham he sot an' knocked de tune, de happiest ob niggers! Now, sence dat time it's mighty strange dere's not de slightes' showin' Ob any ha'r at all upon de 'possum's tail a-growin'; An' curi's, too, dat nigger's ways: his people nebber los' 'emFur whar you finds de nigger, dar's de banjo an' de 'possum. -"Christmas Night in the Quarters." James L. Ford THERE was an affecting scene on the stage of a New York theater the other night-a scene invisible to the audience and not down on the bills, but one far more touching and pathetic than anything enacted before the footlights that night, although it was a minstrel company that gave the entertainment. It was a wild, blustering night, and the wind howled mournfully around the street corners, blinding the pedestrians with the clouds of dust that it caught up from the gutters and hurled into their faces. Old man Sweeny, the stage doorkeeper, dozing in his little glazed box, was awakened by a sudden gust that banged the stage door and then went howling along the corridor, almost extinguishing the gas-jets and making the minstrels shiver in their dressing-rooms. "What! You here to-night!" exclaimed old man Sweeny, as a frail figure, muffled up in a huge ulster, staggered through the doorway and stood leaning against the wall, trying to catch his breath. "Yes; I felt that I couldn't stay away from the footlights to-night. They tell me I'm old and worn out and had better take a rest, but I'll go on till I drop," and with a hollow cough the Old Gag plodded slowly down the dim and drafty corridor and sank wearily on a sofa in the big dressing-room where the other Gags and Conundrums were awaiting their cues. "Poor old fellow!" said one of them sadly. "He can't hold out much longer." |