Genre and Cinema: Ireland and TransnationalismBrian McIlroy Routledge, 2007 - 284 páginas This impressive volume takes a broad critical look at Irish and Irish-related cinema through the lens of genre theory and criticism. Secondary and related objectives of the book are to cover key genres and sub-genres and account for their popularity. The result offers new ways of looking at Irish cinema. |
Dentro del libro
Resultados 1-3 de 36
Página 34
... conflict of youth against age , of community against big business , of idealism against bureaucracy , of wish fulfilment against control . The cycle that is generally regarded as Ealing comedy commenced in the 1940s with Barr noting ...
... conflict of youth against age , of community against big business , of idealism against bureaucracy , of wish fulfilment against control . The cycle that is generally regarded as Ealing comedy commenced in the 1940s with Barr noting ...
Página 78
... conflict , conflict whose formal qualities , whose genre conventions , speak back to the representations in American cinema of the Irish as a violent people ; and , more narrowly , of the Troubles as the inevitable result of age - old ...
... conflict , conflict whose formal qualities , whose genre conventions , speak back to the representations in American cinema of the Irish as a violent people ; and , more narrowly , of the Troubles as the inevitable result of age - old ...
Página 89
... conflicts within the culture . Whereas personal and family relationships offer another ( and better ) place for a boxer like Rocky to live , sectarian conflict in Northern Ireland has transformed the family into part of the political ...
... conflicts within the culture . Whereas personal and family relationships offer another ( and better ) place for a boxer like Rocky to live , sectarian conflict in Northern Ireland has transformed the family into part of the political ...
Contenido
Acknowledgments χυ | 1 |
The case of | 4 |
Horror and Neil Jordans The Company | 5 |
Derechos de autor | |
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Términos y frases comunes
adapted aesthetic American approach argues attempt audience become Boxer boxing Brendan British characters classic colonial comedy concept contemporary context conventions create critical cultural discussed draws Dublin economic effect engage example expectations experience fantastic fiction Figure film's filmmakers follows forces frame genre genre films global Hollywood horror identity images imagination individual industry influence interest Ireland Irish cinema Irish film issues John Jordan's language lives London marked means memory move narrative nature Northern notes offer particular past performance perspective play political popular position present production provides question Quiet reality recent references relation representation role rural scene sense short shot social society space specific stage story structures Studies success suggests takes texts theory tion traditional understanding United University Press violence visual