Genre and Cinema: Ireland and TransnationalismBrian McIlroy Routledge, 2007 - 284 páginas This impressive volume takes a broad critical look at Irish and Irish-related cinema through the lens of genre theory and criticism. Secondary and related objectives of the book are to cover key genres and sub-genres and account for their popularity. The result offers new ways of looking at Irish cinema. |
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Página 104
... movie that doesn't serve as a Bord Failte - like advertisement of green fields and spectacular vistas , or as an emigration tale ending in an American refuge from poverty and oppres- sion , is not yet complete , but perhaps ongoing . A ...
... movie that doesn't serve as a Bord Failte - like advertisement of green fields and spectacular vistas , or as an emigration tale ending in an American refuge from poverty and oppres- sion , is not yet complete , but perhaps ongoing . A ...
Página 105
... movie also illuminates the incorporation and rearticulation of expected genre conventions . The Japanese character Bunzo exclaims to his friends Vinnie and Arthur , " I love this place ... I love the freedom " as they speed down a road ...
... movie also illuminates the incorporation and rearticulation of expected genre conventions . The Japanese character Bunzo exclaims to his friends Vinnie and Arthur , " I love this place ... I love the freedom " as they speed down a road ...
Página 121
... Movies about the Troubles , like gangster movies , have trained viewers to expect that armaments occupy a privileged place ... movie is made up of exten- sively choreographed battle scenes . Set in " Mbongoland " in 1879 , the Silk Cut ...
... Movies about the Troubles , like gangster movies , have trained viewers to expect that armaments occupy a privileged place ... movie is made up of exten- sively choreographed battle scenes . Set in " Mbongoland " in 1879 , the Silk Cut ...
Contenido
Acknowledgments χυ | 1 |
The case of | 4 |
Horror and Neil Jordans The Company | 5 |
Derechos de autor | |
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