Periods of European Literature, Volumen6C. Scribner's sons, 1898 |
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Página 8
... allowed to have been mainly the impoverish- ment of the original models . The Spaniard has always been recalcitrant to the shackles imposed by complicated and artful forms of verse , and there is a natural tendency in him to drift at ...
... allowed to have been mainly the impoverish- ment of the original models . The Spaniard has always been recalcitrant to the shackles imposed by complicated and artful forms of verse , and there is a natural tendency in him to drift at ...
Página 12
... allowed to rhyme with o , and i with e , though they have a very different sound and force . The Spaniard , again , allows a diphthong to be assonant to a vowel , although he pronounces both the vowels 12 EUROPEAN LITERATURE - LATER ...
... allowed to rhyme with o , and i with e , though they have a very different sound and force . The Spaniard , again , allows a diphthong to be assonant to a vowel , although he pronounces both the vowels 12 EUROPEAN LITERATURE - LATER ...
Página 28
... allowed Lope de Vega to write La Esclava de su Galan , would not have punished him for writing an As You Like It . Since it suffered Cervantes to create Don Quixote , it would not have burnt the author of a Novela de Picaros , who 28 ...
... allowed Lope de Vega to write La Esclava de su Galan , would not have punished him for writing an As You Like It . Since it suffered Cervantes to create Don Quixote , it would not have burnt the author of a Novela de Picaros , who 28 ...
Página 35
... allowed to be the original of their own line of eleven syllables , and of the line of ten with an accent on the final syllable , had become very monotonous in their hands . The cæsura fell with unvarying regularity after the fourth ...
... allowed to be the original of their own line of eleven syllables , and of the line of ten with an accent on the final syllable , had become very monotonous in their hands . The cæsura fell with unvarying regularity after the fourth ...
Página 46
... allowed to resume his lectures , he began where he had left off , and with the words , " As we were saying yesterday , gentlemen . " His poetry may be divided into that part which is inspired by Horace , and that which is inspired by ...
... allowed to resume his lectures , he began where he had left off , and with the words , " As we were saying yesterday , gentlemen . " His poetry may be divided into that part which is inspired by Horace , and that which is inspired by ...
Otras ediciones - Ver todas
Periods of European Literature: The later renaissance David Hannay,George Saintsbury Vista completa - 1911 |
Periods of European Literature: The later renaissance David Hannay,George Saintsbury Vista completa - 1911 |
Términos y frases comunes
Amadis Amadis of Gaul ballads Belisa Bellay Biblioteca de Ribadeneyra Boscan Calderon Castilian Cervantes character Cheaper Edition Church classic comedy contemporaries criticism Crown 8vo D'Aubigné Demy 8vo Don Quixote dramatic literature dramatist Elizabethan England English example Fcap France French Garcilaso Góngorism honour Illustrations imitation influence Italian Italy Joachim du Bellay Jodelle king lady language Latin less letters Libros de Caballerías literary LL.D Lope de Rueda Lope de Vega Luis Lyly lyric Mateo Aleman matter Memoir metre Monluc nature Novela de Picaros numerous pamphlets passion Philip play Pléiade poem poetic poetry poets popular Portrait Post 8vo Professor prose published religious Revised romance Ronsard satire scene Scotland Second Edition Shakespeare Sidney sixteenth century sonnets Spain Spaniard Spanish drama Spanish literature Spenser stage story style Tasso theatre Third Edition tion Tirso de Molina tragedy translation treatise verse vols words writers written wrote
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