ACADEMY, the French, Voltaire's re-
monstrance against Shakespeare
addressed to, 40.

Actors, Illegal Status of in Shake-
speare's Day, 103.

Architectural Works of Inigo Jones,
List of, 77.

Art, First Object not to Counterfeit
Nature, 44.

Shakespeare's, Inseparable from
the Theatre, 32.

Rules Cannot Be Made for, until
Object of Ascertained, 31.
Work of, Cannot be Tampered
with without Destroying, 96.
BARANTE, M. de, His Criticism on
Hamlet, 93.

Bartholomew, St., Fair of, the Cloth
Fair of England, 16.
Beauty, The Masque of, see Masque of
Beauty, The.

Birthplace, Shakespeare's, 230.
Belch, see Sir Toby Belch.

Blackness, The Masque of, see Masque

of Blackness, The.

Breeched with Gore," What it is to
be, 46.

Browning Society, Dissolution of the
London, 61.

CADE, Jack, Shakespeare's Abusive
Treatment of, 103, 104.
Carré, Jerome, A Pseudonym of Vol-
taire's, 41.

Chancery Suit of Shakespeare vs. Lam-
bert, 199.

Children's Companies, The, Paper by
Appleton Morgan on, 131.
Shakespeare's Satire Concerning,
132.

Jonson's Complaint Against, 131.
The Puritan Attack upon, 137.
Allusion to in Jack Drum's Enter-
tainment, 138.

List of Masters of, 139.
Petition in Chancery Against, 140.
Excellence of Entertainment Ren-
dered by, 141.
Final Silencing of, 141.
Episode of not Creditable to Prot-
estantism, 131.
Chlorinda, The Masque of, 69.

Cause of Quarrel Between Ben
Jonson and Inigo Jones, 69.
Classical, Former French National
Drama Always, 42.

Clock, Uses of Mr. Puff's Striking, 53.
note.

Coleridge, S. T., His Shakespearian
Criticism, 37.

Coke, Sir James, Makes Himself Ri-
diculous in Raleigh's Trial, 203.
Companies, The Children's, see Chil-
dren's Companies, The.

Constance, Queen, How Shakespeare
Vivified Character of in Old
Play, 54.

Contention, The Whole, see Henry the
Sixth: True Tragedie.

Earlier Forms of the, 99-106.
Cowley, Richard, Name of One of
Shakespeare's Actors, 112.
Played Part of Dogberry, 112.
Criticism, Shakespearian, History of
is a History of Literary Taste,
30.
Crown Inn, The, at Oxford, Engrav-
ing of, to face p. 1.

Shakespeare Breaks His Journeys
at, see D'Avenant, Sir William,
113.

Cuts, Shakespeare's Remorseless, in
the Old King John, 54.

D'AVENANT, John, Proprietor of
Crown Inn at Oxford, see Crown
Inn, 113.

D'Avenant, Sir William, Paternity of
Discussed, 113.

Deighton, The Macmillan Edition, 246.
Deschamps, M., His Alterations of
Macbeth, 96.

Desfontaines, Abbé de, Voltaire's Let-
ter to, 39.

Doak, H. M., Esq., Paper on the Su-
pernatural in Shakespeare, 213.
Doubtful Plays, a List of, 48.

Not Actually "Doubtful," 49.
Drama, Difference between the Eng-
lish and French, 45.

A Mirror not of Life, but of Epi-
sodes, 34.

Dramatic Treatment and Theatrical,
Difference Between, 33.
Dryden, His Shakespearian Criticism,