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Equity, Falstaff and, Judge Phelps's | Henry the Sixth, the Three Parts of,

Paper on, 159–193.

FALSTAFF and Equity, Judge Phelps's

Study of, 159-193.

Familiar Quotations, Review of Bart-

lett's, 57.

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Field, B. Rush, His Paper on Field-
ing's Use of Shakespeare, 248.
Fielding, His Unconscious Use of the
Plays, 248.

Fourth Sex, Is There a? 60.
French and English, Difference Be-
tween Dramatic Taste, 45.

More Sedulous of Elegances of
Life, 41.

French Art, Formerly More Conven-
tional than English. 43.
French Taste Exemplified in Criti-
cism of Shakespeare, 36-37.
Fuller, Thomas, His Statements as to
Falstaff and Oldcastle, 109.
Furness, Dr. H. H., Review of His Va-
riorum Edition of The Tempest,

I 20.

GABLER, Hedda, Dr. Price's Review of
Ibsen's, 3.

Story of the Play of, 5.

Gabriel, Name of One of Shakespeare's
Actors, III.

Garrick, David, His Absurd Shake-

speare Jubilee, 235.

Gautier, Théophile, His Epigram as to
French Character, 42.

German Critics of Shakespeare, Grant
White's Description of, 49.
Often Trivial, 83.

Gonzago, The Murder of, in Hamlet, is
a Specimen of the Interlude, 50.
Greene, Richard, Alleged Portion in
Authorship of the Henry VI.,
106.

Guizot, M., Revises Le Tourneur's
Translation of Shakespeare, 93.
HALL, Dr. John, His Medical Manu-
script, 190.

Hallam, George, Contributions to a
History of Shakespearian Criti-
cism, 30-79.

Halliwell-Phillipps, J. O., His Theory
as to Three Parts of Henry VI.,

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cism, 86.

Hue and Cry After Cupid," Masque
by Ben Jonson and Inigo Jones,

20.

Hubert, How Shakespeare Improved
Character of, 53.

Humphrey, Name of One of Shake-
speare's Actors, 111.

Hymen, Masque of, see Masque of Hy-

теп.

IBSEN, Henrik, His Dramatic Con-
struction, Compared with Shake-
speare's, 3.

A Lyrical Rather Than Dramatic
Poet, 3.

Learns His Dramatic Form from
Stage Exigencies, 3-15.

Dr. Price's Review of His Hedda
Gabler, 3.

Imitation and Representation, Wide
Difference Between, 44.

JOAN of Arc, Shakespeare's Treatment
of, 102, 103.

Jones, Inigo, Life of, 16.

His Letter to Lord Arundel, 67.
Quarrel with Ben Jonson, 69, 71.
Arrives in England, 17.

First Services Performed for James
I., 18.

Architectural Triumphs of, 72–77.
Sepulchre and Epitaph, 76.

Compounds for Privilege of Meat
in Lent, 75.

Johnson, Dr. Samuel, His Reply to
Voltaire's Criticism on Shake-

speare, 43.

His Own Criticism on Shakespeare,
37.

John, King, see King John.
Jonson, Ben, His Quarrel with Inigo
Jones, 69.

His Masque of Blackness, 18.
His Masque of Hymen, 19.
His Masque of Beauty, 19.
"Jubilee," The Absurd Garrick-Shake-
speare, 235.

KING John, the Old and the Later, by
Appleton Morgan, 47.

An Example of Shakespeare as an
Adapter, 47.

Holinshed and Hall's Description
of, 51.

LESSING, His Shakespearian Criticism,
83.

Lowell, James Russell, Review of His
Theory of Richard III., 117.
Le Tourneur, First French Translator
of Shakespeare, 39.
Lozier, Mrs. J. de la M., Elected Pres-
ident of Avon Club, 175.

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Memorial Window, View of, to J. O.
Halliwell-Phillipps, to face p. 131.
Meres, Francis, List of, Does not Men-
tion Contention or True Trage-
die, 107.

Merry Wives of Windsor, the Play an
Example of Stage Growth, 47.
Molière, Compared with Shakespeare
and Ibsen, 3, 4.

Moratin, the Spanish Critic of Shake-
speare, 82.

Morgan, Appleton, proposes a Test
for Determining a Shakespear-
ian Authorship, 111.

As to Shakespeare and Cade, 102.
As to Shakespeare and Joan of

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3.

Prior, Sir James, Describes a Shake-
speare Craze, 97.

Proof Correction, Specimen of Early,
89.

Publishers of the Shakespeare Quartos,
List of the, 124.

Puff, Mr., His Dramatic Clock, 55.
Quarrel Between Inigo Jones and Ben
Jonson, 71.

Quarto Publishers, List of, see Publish-
ers of Quartos.

Quickly, Mistress, Mr. Reynolds' Pa-
per Concerning, 238.
REPRESENTATION and Imitation, Dif-
ference Between, 44.

Restorations at Stratford-upon-Avon,
123, note.

Richard II., Stationers, Entry of, 200
note.

Roister Doister, Ralph, the author of,
Mr. Trant's Paper upon, 42.
SALLET, Cade's Pun upon the Word,
105.

Sardou, Victorien, Negatives French
Dramatic Canons, 76.
Schlegel, A. W., His Competent Shake-
spearian Criticism, 85.
Shakespeare, William, "le Corneille de
Londres," 39.

Is He the Only Man's Poet? 62.
versus Lambert, Chancery Suit of,
199.

at Oxford, 113.

Shakespeare Societies, The Fortnight-
ly, 185.

Clubs of New York City, 185.
Sinclo, One of Shakespeare's Actors,

III.

Smedley, F. G., Elected President of
New York Shakespeare Club,
185.

Sir Toby Belch, A Speech of, Likeness
to Coke's at Raleigh's Trial, 203

note.

Stonehenge, see Vindication of Stone-
henge.

St. Paul's Church, Restoration of, by
Inigo Jones, 69,

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THE NINETEENTH CENTURY.

Contents for January, 1892.

I. The Horrors of Hunger. By Nicholas Shish-
koff (of the Relief Committee of the Society
of the Red Cross).

II. Lord Rosebery and Mr. Pitt. By the Hon.
Reginald B. Brett.

III. Hypnotism and Humbug. By Ernest Hart,

M.D.

IV. Protection-Free Trade-Fair Trade-Colonial
Trade. By the Right Hon. Earl Grey.

V. Our Minor Poets. By H. D. Traill.
VI. Electrical Transmission of Power. By the
Right Hon. the Earl of Albemarle.

VII. Imperial Federation for Naval Defence. By
the Right Hon. Lord Brassey.

VIII. Mutual Aid among the Barbarians. By Prince
Kropotkin.

IX. Man, East and West. By the Rev. Samuel A.

Barnett.

X. Taxes on Transport. By W. M. Acworth.

XI. The Rural Voter: 1. The Law, the Land and

the Labourer. By the Right Hon. Lord

Thring. 2. Farm Labourers and their Friends.

By William E. Bear. 3. Hodge at Home. By

Mrs. Stephen Batson.

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