Shakespeariana, Volumen9 |
Dentro del libro
Resultados 1-5 de 34
Página 3
For by force of natural talent Ibsen was not , I think , like Molière and
Shakespeare , a poet of the dramatic kind , but a poet of the lyrical kind . That is ,
his natural strength lay , not in observing the characters nor in representing the
customs and ...
For by force of natural talent Ibsen was not , I think , like Molière and
Shakespeare , a poet of the dramatic kind , but a poet of the lyrical kind . That is ,
his natural strength lay , not in observing the characters nor in representing the
customs and ...
Página 4
And this rendition of himself was sure to be made through pictures of nature that
showed the most subtile knowledge of Norwegian landscape and with a
sharpness of wit and a patriotic force of sentiment that only a great poet can
command .
And this rendition of himself was sure to be made through pictures of nature that
showed the most subtile knowledge of Norwegian landscape and with a
sharpness of wit and a patriotic force of sentiment that only a great poet can
command .
Página 6
But , as handled by Ibsen , the events of this story move onward with a force of
dramatic tension that cannot be resisted . It is , I think , in the novel ways of
arraying his incidents and of grouping his IBSEN ' S DRAMATIC
CONSTRUCTION .
But , as handled by Ibsen , the events of this story move onward with a force of
dramatic tension that cannot be resisted . It is , I think , in the novel ways of
arraying his incidents and of grouping his IBSEN ' S DRAMATIC
CONSTRUCTION .
Página 7
... reaction against the freedom of the romantic drama , and a revolt against the
domination of scene - painters and scene - shifters in the modern theatre . The
effect of it is , beyond a doubt , concentristic and an economy of intellectual force .
... reaction against the freedom of the romantic drama , and a revolt against the
domination of scene - painters and scene - shifters in the modern theatre . The
effect of it is , beyond a doubt , concentristic and an economy of intellectual force .
Página 8
It is only in such scenes that one human will can be made to act with full force
upon another . Thus , in Ibsen ' s drama , out of fifty - one scenes twenty - four are
scenes of two characters , and these are the very scenes that make the play .
It is only in such scenes that one human will can be made to act with full force
upon another . Thus , in Ibsen ' s drama , out of fifty - one scenes twenty - four are
scenes of two characters , and these are the very scenes that make the play .
Comentarios de la gente - Escribir un comentario
No encontramos ningún comentario en los lugares habituales.
Otras ediciones - Ver todas
Términos y frases comunes
action appears audience beauty belief called century chancery character church common course Court criticism death doubt drama dramatic dramatist edition effect England English entire equity evidence expression fact Falstaff Folio forces French give given Hamlet hand Henry human Inigo interest Italy John Jones Jonson judges King known learned least less letter lived London Lord Masque matter means mind nature never once original perhaps period play poet poetic poetry practical present printed probably Queen question reason reference result Review Richard says scene seems seen sense Shake Shakespeare Shakespearian Society stage stirring story success suggestion supernatural taken thing Thomas thought tion true whole write written York
Pasajes populares
Página 220 - I know a bank whereon the wild thyme blows, Where ox-lips and the nodding violet grows ; Quite over-canopied with lush woodbine, With sweet musk-roses, and with eglantine...
Página 105 - ... supposes he is as well able to bombast out a blank verse as the best of you; and being an absolute Johannes factotum, is in his own conceit the only Shake-scene in a country.
Página 220 - Over hill, over dale, Thorough bush, thorough brier, Over park, over pale, Thorough flood, thorough fire, I do wander every where, Swifter than the moon's sphere; And I serve the Fairy Queen, To dew her orbs upon the green. The cowslips tall her pensioners be; In their gold coats spots you see; Those be rubies, fairy favours, In those freckles live their savours. I must go seek some dewdrops here, And hang a pearl in every cowslip's ear.
Página 58 - That low man seeks a little thing to do, Sees it and does it : This high man, with a great thing to pursue, Dies ere he knows it.
Página 220 - Bring the rathe primrose that forsaken dies, The tufted crow-toe and pale jessamine, The white pink, and the pansy freaked with jet, The glowing violet, The musk-rose, and the well-attired woodbine, With cowslips wan that hang the pensive head, And every flower that sad embroidery wears ; Bid Amaranthus all his beauty shed, And daffadillies fill their cups with tears, To strew the laureate hearse where Lycid lies.
Página 136 - And then you have some again that keeps one suit of jests, as a man is known by one suit of apparel; and gentlemen quote his jests down in their tables before they come to the play, as thus: 'Cannot you stay till I eat my porridge?
Página 220 - Ye valleys low, where the mild whispers use Of shades, and wanton winds, and gushing brooks, On whose fresh lap the swart star sparely looks, Throw hither all your quaint enamelled eyes, That on the green turf suck the honied showers, And purple all the ground with vernal flowers.
Página 229 - My father's spirit in arms ! all is not well ; I doubt some foul play: 'would, the night were come! Till then sit still, my soul : Foul deeds will rise, Though all the earth o'erwhelm them, to men's eyes.
Página 54 - This England never did, (nor never shall,) Lie at the proud foot of a conqueror, But when it first did help to wound itself. Now these her princes are come home again, Come the three corners of the world in arms, And we shall shock them : Nought shall make us rue, If England to itself do rest but true.
Página 145 - From Paul's I went, to Eton sent, To learn straightways the Latin phrase, Where fifty-three stripes given to me At once I had. For fault but small, or none at all, It came to pass thus beat I was, See, Udall, see, the mercy of thee To me, poor lad ! " * "EW
Información bibliográfica
| Título | Shakespeariana, Volumen9 Volúmenes270-271 de American periodical series, 1850-1900 |
| Editores | Appleton Morgan, Charlotte Endymion Porter |
| Colaborador | Shakespeare Society of New York |
| Editor | Leonard Scott Publishing Company, 1892 |
| Procedencia del original | Universidad de Harvard |
| Digitalizado | 7 Ago. 2007 |
| Exportar cita | BiBTeX EndNote RefMan |